My Top Albums Of 2020

2020 might have sucked for most things, but it was actually a damn good year for music! Every year it seems like I complain that either there was not enough good music released – so had to scrape together ten albums – or too much was released and I’m forced to make hard choices to whittle the list to just ten.

2020 was definitely the latter.

Before I begin, let me do something I’ve never done on a “best album” post: explain my criteria. Although any album is technically eligible for the list, I strongly discourage “greatest hits” albums and compilations of any kind. I mean, the whole idea is an album as a single cohesive collection of music. For that reason, live albums are discouraged, too. Albums are also subject to the “one-hit wonder rule”: strongly discouraged from my list if the only reason they rank so highly on my Last.fm chart is because of a single song. Georgia’s Seeking Thrills album was #2 or #3 on my 2019 Last.fm album charts due to “About Work the Dancefloor”, a song I listened to hundreds of times. But I’ve only listened to the full album once, and I don’t think I’ve listened to any other song off that album more than twice. Lastly, I’ve decided that, going forward. EPs will be allowed on the “Honorable Mentions” chart, but singles will not, no matter how many times I listen to them that year.  My list, my rules.

As always, below are my ten favorite albums of 2020. The list comes directly from my Last.fm stats; I have, however, tinkered with the order a bit. After the list is a new item: “Song of the Year”. Soon, I’ll do a separate post of some albums I’ve discovered this year but were released in years past. There’s also the list of few honorable mentions, followed by the raw data from Last.fm.

My Top Albums of 2020

10) Washed Out – Purple Noon – Perry, Georgia’s Ernest Greene made a huge splash on the chillwave scene – hell, he was the King of Chillwave – even before his first album, Within and Without, was released in 2011. Which makes it all the sadder that this album is… “just OK”. I mean, some songs – like the opener, “Too Late”, or the album’s first single, “Time to Walk Away” – are as good as anything Washed Out’s ever released. Yet, others, like “Face Up”, don’t seem “chill” so much as “lifeless”. Overall, this album seems more like a collection of outtakes from 2013’s Paracosm than the evolutionary growth of 2017’s awesome Mister Mellow. Even worse, it sounds like Greene really tried… and this is the best he could come up with.

9) Sylvan Esso – Free Love – Speaking of, the longer Sylvan Esso goes on, the less I like them. And I can’t quite put my finger on why. I think a big part of it is that Sylvan Esso has taken the place of Björk in the sense of “the songs I like, I really like, but the songs I don’t like I really hate” of my music world. On this album, “Ferris Wheel” is pretty damn fantastic… but “Ring” and “Rooftop Dancing” make me wanna punch somebody. We’ll see how the next album goes, eh?

8) The Sounds – Things We Do For Love – The Sounds are a Swedish rock band – kinda New Wavy, but closer to the West Coast New Wave like Berlin and Missing Persons – with a healthy dash of Blondie tossed in for good measure –  than most of the synth-heavy bands I listen to. Yet despite being together for 22 years, they’ve only released 6 albums. So when a new one comes out, you pay attention! I’ll admit that the singles are the big draw here – “Safe and Sound” and the title track, “Things We Do For Love” – are way better than much of the filler down album. Call me crazy, but “Bonnie and Clyde” sounds like a Katy Perry reject song (fight me). Although there are occasional gems like “Hollow”. This is just a good working-class band that really hits when they hit:

7) Kid Francescoli – Lovers – Marseille-based Mathieu Hocine – performing as Kid Francescoli – has released three albums… and all three have landed on my “best of” list: 2014’s With Julia, 2016’s Play Me Again, and 2020’s Lovers. It’s not hard to see why: his lovely melodies and intimate lyrics caress your soul like a glove! The English-language songs on the album all hit it out of the park, while the Italian and French songs may or may not be something you’re interested in. I don’t speak a word of French, but have fallen in love with lots of French-language pop… but none of Hocine’s songs, oddly… until this album’s “Ces deux-là”! It sounds like something sexy people in Barcelona would listen to.

6) Linea Aspera – Linea Aspera II – Back when I lived in Atlanta, Album 88 used to play Linea Aspera all the damn time… and I couldn’t figure out what the big deal was. Well, the band is back after a 7 year break… and now I get it! This is some tight darkwave stuff that mages to call back to their earlier work, yet isn’t beholden to it,  and is fully modern. It gets a bit samey, even for a band like this, though.

5) Empathy Test – Monsters – For some reason, Empathy Test reminds me of a cross between Massive Attack and a band like Delerium or Enigma… only without the… cheese, I guess? Check out “Monsters”, the album opener, below. I love that it’s so in your face, the way it tells you all you need to know about the band, in the same way Purity Ring’s “heartsigh” defines another eternity. And the album’s closer, “Love Moves”, is a song I’ve fallen deeply in love with. But there’s more: in fact, there are few bad songs on this album at all. “Empty Handed”, “Making Worlds”, and “Skin” are all fantastic tunes.

4) Kraków Loves Adana – Darkest Dreams –  Freiburg, Germany’s Kraków Loves Adana have toiled away in relative obscurity… until they were picked up by Johnny Jewel’s Italians Do It Better label, instantly making them “a thing” with Chromatics fans everywhere. But after releasing a couple fantastic singles on IDIB, Kraków went their own way. The result is Darkest Dreams, admittedly the first album of theirs I’ve heard, but a worthy one all the same. For people who love Europeans with Synthesizers, tracks like “Don’t Ask Why”, “Love Isn’t Dead” and “The Ocean Between Us” are straight fire. But “Faded to Black” just bangs so hard… I don’t even know where to begin:

3) Purity Ring – WOMB– It would be impossible to top 2015’s another eternity and (spoiler alert!) WOMB doesn’t. That doesn’t mean WOMB is bad, though. As a Purity Ring thing, it’s solid. I didn’t like the opener (“rubyinsides”) nearly as much as “heartsigh”, but it’s grown on me over time. And yes, Megan James is still as into viscera as always (some people call this kind of music “witch house”, but I refuse to use that term in the presence of another sdult). The album picks up with “pink lightning”, the fantastic “peacefall” (see below) and “i like the devil”. And, of course, the album ends with an insanely great song (keep reading). It’s not that anything on this album is bad. It’s all pretty good, actually. But Purity Ring set expectations sky high with their previous album – my “Album of the Year” for 2015, and easily in my top 5 of the last 20 years – that this disc had nowhere to go but down.

2) Young Ejecta – Ride Lonesome – Young Ejecta are Neon Indian’s Leanne Macomber on vocals and producer Joel Fordare… doing everything else. They’ve been around since 2013, and have had several good singles over the years, like “Build a Fire” and “It’s Only Love”. But 2020’s Ride Lonesome is the first album of theirs that make me stop to listen.  NYC synthpop it is, but it’s bubbly and addictive, like soda pop. The opener “Crayon Cactus” just bops along into the ethereal vocals of “Screen Guru”. “Four Corners” was all over my Spotify playlists, then there’s “9 to 5”, and we hit the album’s midpoint with the fantastic “Call My Name” (below). The second half is almost as strong – I can live without “Can I Dance With You”, but it’s all generally good stuff. I don’t know why, but this album really impressed me, and has stuck around in my memory this year.

1) Mint Julep – Stray Fantasies – Mint Julep are a husband-and-wife duo from Boston, Hollie and Keith Kenniff. They make dramatic (but not over-the-top) music. In spirit, they remind me of an early Clan of Xymox (assuming Clan of Xymox formed in 2007), even if the music doesn’t always sound as such. All their albums are fantastic – 2011’s Save Your Season and (especially) Broken Devotion, which hit #2 on my Best Albums of 2016 list. So it’s not surprising that 2020’s Stray Fantasies would end up here. And I think the reason for that is… it was just around all year long. I mean that: the album came out on January 30, 2020, and where a lot of other 2020 albums burned brightly but quickly faded, this album stuck around all year. A big part of it is that I just love the hazy, dazy gauze of this band’s sound. But it’s more than just that. I mean, it is that – wispy, thin, light, airy. But something about Mint Julep’s sound is, like the Swedish group Postiljonen, nostalgic… even if you’ve never heard their music before. There’s this cinematic quality it has, where you hear it and instantly want it to be the soundtrack of your teenage memories. Give ’em a listen:

As I say, I maybe didn’t listen to this album ALL THE TIME. And only one song (“Just for Today”) really became one of my patented  “song I listen to 800 times a year” hits, but the album was there, man. Through good times and bad, the beauty of their music is matchless.

As a bonus, here’s Mint Julep’s cover of When in Rome’s “The Promise”, a track from Broken Devotion:

Continue reading “My Top Albums Of 2020”

My Top Albums Of 2019

Wow… so you’re probably wondering why it took me until almost April to get out an article that I normally do in December, or, at worst, the first week of January.

To be perfectly honest, it’s because 2018 was such a ridiculously strong year for music that it didn’t really stop until late 2019 for me. The top 4 albums from 2018 – Pastel Ghost’s Ethereality , The Perfect Kiss’ Filter, Therapie TAXI’s ass-kicking debut Hit Sale, and You Drive’s eponymous debut – yeah, I just kept on listening to them non-stop until last November. As of Thanksgiving, there was only one 2019 album in my Top 20 “most listened to” stats. It took until the past couple of weeks that I found ten 2019 albums to make a list!

As always, below are my ten favorite albums of 2019. The list comes directly from my Last.fm stats; I have, however, tinkered with the order a bit, perhaps even a bit more than usual. After the list are a few honorable mentions, followed by the raw data from Last.fm.

My Top Albums of 2019

10) Wy – Softie – This Swedish band’s second album is a “solid, if a bit samey” experience. They’re more of a straightforward pop band than the lovely dream pop of Postiljonen and similar Swedish bands I’ve cottoned to in the past. But that’s OK – I love them anyway! It’s a good album to listen to on a sunny day at the beach with an ice cold beer:

9) Clairo – Immunity – 21 year-old Claire Cottrill shows lots of promise with this debut album… if she can resist the temptation to let producers have their way with her music. I agree with Pitchfork that there are many songs on this disc that have been tweaked within an inch of their lives, and that any more edits would ruin them. Still, “Bags” is a great tune, and I’ll be sure to stick around for her next album!

8) Graveyard Club – Goodnight Paradise – They make cool music in Minneapolis? Who knew? Just kidding, folks. Graveyard Club is a strange mix of 80s-style pop and Perry Como style crooning, as evidenced by the album’s lead-off single, “Witchcraft”. But that’s actually one of my least favorite tracks on the album: “Red Roses” and “William”, for example, are much better songs that the slightly gimmicky “Witchcraft”. But it’s an entertaining album, one of those where you kind of get lost and suddenly realize you’re on track 12.

7) Carla dal Forno – Look Up Sharp – This Australian lady is a singer, composer and music experimentalist, not unlike Julianna Barwick or Julia Holter. And this isn’t my first go-round with her, either: 2016’s You Know What It’s Like just barely missed the cut for an honorable mention in that year’s “best of”. Look Up Sharp is more of her swirly, dreamy, hazy music she’s known for. She doesn’t make “bangers”, but then she doesn’t flirt with ambient music as much as, say Barwick, either. So maybe something you won’t throw on during a rager, but something excellent for reading a book on a rainy day!

6) Electric Youth – Memory Emotion – Toronto-based Electric Youth are yet another in the seemingly endless supply of synthpop duos. They’re not the best, or the most original, or most memorable… but they’re nice. This is a really good album, even if it doesn’t break any new ground or won’t set the world on fire. Bronwyn Griffin and Austin Garrick have created a tight, yet dreamy sound that’s certainly a winner!

5) Clio – Déjà Venise – Clio is a French singer-songwriter, originally from Besançon, now living in Paris. Her music is infectious, each song a pretty little gem just waiting to be discovered. It’s also one of those albums where your “favorite song” keeps changing. First it was the hit “T’as vu” (below). Then it was “Amoureuse”, a classic French-style pop song. Then it was the title track. No matter which you settle on, they’re all good!

4) Minuit Machine – Infrarouge – Last year I discovered the French darkwave band Minuit Machine via their banger “Everlasting” from their 2015 album Violent Rains. 2019’s Infrarouge doesn’t really cover any new ground… but then, it doesn’t really need to. The opening track, “Chaos” gently draws you in to their beautiful, yet arctic world. And yeah, sure, lines like “The more I try, the less I exist” seem a bit sophomoric to my almost 50 year-old ears. It sounds like something “deep” I woulda scribbled in my journal as a teen. But the music – and the vibe – is still fun. There’s something about this band – not just the lyrics – that screams 80s angst, and in a good way. If you listen to just one of their tunes, make it “Everlasting” or the remastered version of their 2013 tune “I am a Boy” on this album.

3) Tempers – Private Life – This is a band I know very little about. They’re based in New York City and have two members: Jasmine Golestaneh and Eddie Cooper. Golestaneh was allegedly born in Florida and grew up in London (allegedly, because all the information I can find on her seems highly exaggerated). Whatever the case, Tempers’ newest album is one of those that snuck up on me. I didn’t notice it until much later, but I added a couple of their tunes to my “Discovered” playlist in Spotify. I guess because of that, the song “Leonard Cohen Afterworld” showed up in a Discover Weekly playlist. And from there I was hooked. And that’s weird.

2) Cannons – Shadows – Cannons are a band from the worst place on Earth: Los Angeles. But don’t it against them: they make really good music! It’s kind of a slightly funky synthpop affair with lead singer Michelle Joy’s waify vocals on top. Their cover of “Can’t Help Falling in Love” is all the introduction you need, but I think it’s unfair to judge them on a cover song. I love almost every song I’ve heard from them, from 2017’s Night Drive to 2018’s In a Heartbeat EP to 2019’s Shadows. Shadows kicks off with “Baby”, a good preview of what’s to come. But then there’s “Fire for You”, an infectious low-key banger that’s guaranteed to get stuck in your head. Then ya got “Talk Talk” (below), and next thing ya know the album’s over and you’re like “awwww, man! Is that IT? There should be MORE!” Seriously – check it out!

1) Chromatics – Closer to Grey – So see, here’s the thing: this album came out on October 1, and I liked it. Well, I don’t like the “The Sound of Silence” cover that opens the album, but that’s because I hate Simon & Garfunkel (having said that, Chromatics cover of “I’m on Fire” made me like a BRUCE SPRINGSTEEN song, so that could change). Anyway, the point is: I was looking through my Last.fm stats in December and was like “well crap… Closer to Grey is the only 2019 album in my Top 20 listened to albums”. So I kind of figured this one would win Album of the Year by default. And that bugged me. In 2018, my Top 4 albums duked it out in a fight to the death. You Drive ended up as album of the year, and deserved it. So as much as I like Chromatics, would they win album of the year just by showing up?

Well, yeah. A big part of it was seeing Chromatics (and Desire, and In Mirrors) live in Atlanta last May. That was absolutely an all-time Top 10 concert, maybe even a Top 5 show. I’ve got a framed picture of Megan Louise I took at the show on my wall. 2019 was, in so many ways, “The Year of Chromatics”. And, truth be told, no other album was really better than Closer to Grey last year.

It’s stunning at how often Johnny Jewel hits it out of the park. Between Chromatics, Desire, Glass Candy and all the other bands he works with, and all the soundtracks and solo projects… and the remixes he does, you wonder how he finds time to sleep!

I genuinely recommend heading over to Jewel’s record label site – Italians Do It Better – and picking up a copy of Closer to Grey, and all of the other fantastic tunes they have there. As far as I know, digital versions of all releases are available in WAV or MP3 format for $1, and they even accept Amazon Pay if you don’t want to give your credit card number to an unknown website.  They even have the massive, 47-track “Deluxe Edition” of Closer to Grey for ONE MEASLY DOLLAR! ONE DOLLAR! That’s 2.12¢ PER SONG! WHAT ARE YOU WAITING FOR? DO IT NOW!

Honorable Mentions

With the usual stipulation that “EPs and singles aren’t albums”:

Bon Entendeur – Aller-retour
Trevor Something – Bots Don’t Cry
Delphine Dupont – French Pop Attitude
L’Impératrice – Matahari
whenyoung – Reasons To Dream
Anteros – When We Land
Mexico City Blondes – Blush
Methyl Ethel – Triage
Pure Bathing Culture – Night Pass

Continue reading “My Top Albums Of 2019”

A BandsInTown Hack

BandsInTown is a service that tracks bands on tour. You download the app for iOS or Android, sign up, then enter a list of bands you want to track (or give the site permission to scan your Spotify or Apple Music\iTunes libraries). That’s it! You’ll get notifications (and emails, if you choose) any time a band you like is playing a venue near you!

There’s one problem with the service, though, and that’s that you can only choose one “home city”.  The concert scene in Charlotte has come a long way in the past 20 years, but if your music tastes could be described as “cutting edge” or “up and coming”, you may find yourself driving to Atlanta or Chapel Hill more often than you’d care to admit. So you can switch your BandsInTown home city to Atlanta… but then you miss out on local shows.  What to do if you’re in a situation like this?

While BandsInTown only allows you to have one home city, the app will allow you to expand your search radius to 150 miles. So in my case, I chose Greenville, SC as my home city and expanded the search radius to the max 150 miles. This way it covers Charlotte, Atlanta, Athens and Asheville:

Bands in Town

Bands in Town
(click to enlarge)

Hope this helps!

Spotify vs. Apple Music

So… back in June Spotify released a new version of their Android software. At first glace, it didn’t look so bad – mostly a huge PODCASTS tab added to the “My Library” page. Which makes sense: Spotify is pushing podcasts hard because they don’t have to pay royalties when you listen to them like they do with music.

Come to find out, it was way worse than that.

A quick refresher: in Spotify when you “save” an album to your library, you’re basically just saving a link to the music files on Spotify’s servers, like a browser bookmark. And Spotify’s Android app used to have a “My Library” page which had tabs for “Artists”, “Albums” and “Songs”. So if you saved 10,000 Maniacs’ In My Tribe album to your library, “10,000 Maniacs” would then appear under “Artists”, In My Tribe would appear under “Albums”, and the songs from that album would appear under “Songs”. If you deleted the album, those entries went away. Simple, yes?

Spotify also has a “follow artist” feature. When I first joined the service in 2015, following an artist was how you got notifications that they had released new music. But Spotify’s notification system never worked that well, so they removed most of it. But they kept the “follow artist” feature, which folks in the Spotify Community said was for “shaping” the music in Spotify’s playlists. If the artists in your Discover Weekly or Release Radar playlists weren’t to your liking, follow a bunch of your favorite artists, they said, and your playlists would get better. And that seemed to be true.

So – here’s what Spotify’s June update changed:

– The “Artists” tab now only shows artists you follow. So if you add 10,000 Maniacs’ In My Tribe to your library now, 10,000 Maniacs no longer appears under “Artists” unless you specifically tapped the “Follow” (or “Heart” icon), too. It’s effectively as if your iTunes install from 2008 suddenly lost the ability to sort music by artist, as if artist information was completely gone. There are lots of people who had been with Spotify since the service rolled out here in 2008 who never used the “follow” feature… and they were pissed that Spotify, without telling anyone or giving any advance notice, emptied their “Artists” lists. These poor folks had to recreate their “Artists” lists by hand. It took some people days.

– The “Albums” tab still works as expected, but for reasons only God and Spotify’s developers know, they removed the alphabetical scroll bar. It used to be, if you wanted to listen to U2’s Zooropa, you’d tap “My Library”, “Albums” and “Z” to get pretty close. Now you have to scroll all the way down manually, like a medieval French peasant!

– It also used to be possible to save only some tracks from an album. So if you liked the sound of The Cars’ remastered Candy-O album but didn’t want all the demos and outtakes that come on that version, you could save just the album tracks but not the outtakes. No more – it’s all or nothing now.

– The “Songs” tab went away entirely, replaced by a “Liked Songs” playlist with all the songs from your old “Songs” tab, but now in totally random order! And since the songs are now in random order there’s no use for an alphabetical scroll bar, so they got rid of that, too. So instead of tapping “W” to get to Roxy Music’s “While My Heart is Still Beating” I now have to scroll through 3,719 songs listed in random order until I find it. Terrific!

– They also moved the “Recently Played” list from the My Library page to the Home page, and they removed all actions from it aside from “open”. It used to be that you could tap on an album or playlist in Recently Played and several options would appear: “Remove from this list” was great for hiding any trace of your secret Def Leppard obsession, “Queue” or whatever. By moving and neutering it, Spotify effectively got rid of a feature that tons of people used.

*     *     *

Needless to say, many users were pissed about all this. I was pissed enough to give Apple Music a try.

So… signing up for Apple Music seemed simple enough. But then I installed and opened the latest version of iTunes on my laptop… and now what? Spotify is a stand-alone app. You open it, and there’s Spotify. Apple Music is… buried somewhere in iTunes? Even though I was signed in to iTunes with the correct account there were no “Hey, we see you signed up for Apple Music! Here’s how it works in iTunes for Windows” prompt. Nothing. It took a few clicks, but I found it. And when I did, the selection was as expected. I looked through several of my more “problematic” artists, and Apple Music seemed to have the same library holes Spotify does: early Saint Etienne and Dramarama albums were missing from Apple Music, too.

Continue reading “Spotify vs. Apple Music”

QUICK REVIEW: Chromatics + Desire

Chromatics live

Chromatics
Desire
In Mirrors

Variety Playhouse, Atlanta, GA
05/15/2019

Few shows have set off my “teenage concert hype meter” more than this. It’s the first time any of these bands have ever played my home city of Atlanta, which means it’ll be at least five years before they’ll even consider coming to my adopted home city of Charlotte. I asked the missus if she wanted to go. She said no. I decided I wasn’t missing the chance, so a solo trip it was.

Johnny Jewel is the heart and soul of almost all the bands on his label, Italians Do It Better. He’s a full-time member of Chromatics, Desire, Glass Candy and Symmetry. He produces and contributes to most of the rest. He does soundtracks to films. If you’re old enough to remember when Ivo Watts-Russell ran 4AD Records back in the 80s… yeah, it’s kinda like that.

So: In Mirrors kind of sounds like Washed Out, if Washed Out were kinda going for the Twin Peakysy, “Stranger Things soundtrack” vibe most Italians Do It Better bands have.

This is a good tune. Sadly, lead singer Jesse Taylor just looks… awkward on stage. The music sounded fine, but he barely spoke above a whisper between songs, and just looked uncomfortable overall. Just RELAX. Take a deep breath, dude. You’ve got this!

In Mirrors

By the time Desire came out the crowd behind me had swelled… with Desire! Hahaha – I’ll show myself out. They kicked off with fan fave “Mirroir Mirroir”, then the even more popular “Don’t Call”.

Desire - "Don't Call"

“If I Can’t Hold You” followed, which was a bit of a surprise (I was thinking it’d be “Tears from Heaven”). After that, the biggest surprise of all: they launched into a cover of New Order’s “Bizarre Love Triangle” “just for this tour”:

[Sorry, the video was yanked from YouTube!]

The sound in the video doesn’t do it justice. I hope they release some version – live or studio – because it was fantastic!

And speaking of, you know how you go to tons of shows and it’s all cool and everything… but once in a while, for some unknown reason, you hear a song live and you’re like “HOLY SHIT I’VE HEARD THIS SONG A MILLION TIMES AND IT NEVER SOUNDED LIKE THIS BEFORE ‘COS THIS IS AMAZING!”… that kind of thing?

Well, Desire closed out with their one hit, “Under Your Spell”, made slightly famous by appearing in some commercials and the 2011 Ryan Gosling film Drive.

The song was absolutely fucking amazing live. It’s like, they somehow tweaked it for the live show and somehow made the song even better? All I know is, the crowd behind me went nuts, and I looked back at one point and it looked like the entire venue was jumping up and down. Honestly, it was the highlight of the show for me.

Desire live

Note the blonde Aja, of the IDIB band Heaven, in the lower left in the above pic. She played keyboards with Jewel for Desire. She didn’t get to sing any of her own songs, unfortunately:

Chromatics played a much different set than I thought they would. Which, looking back on it, was good. Basically, it wasn’t the playlist I woulda picked, but Jewel picked a much better one – more balanced, more theatrical, a much better “this is Chromatics” playlist than I woulda come up with:

Tick of the Clock
Lady
Night Drive/Paradise
Back From the Grave
I Can Never Be Myself When You’re Around
Time Rider
These Streets Will Never Look the Same
Blue Girl
I Want Your Love
Cherry
Into the Black

Encore:
I’m On Fire

Shadow

Running Up That Hill

The band sounded fantastic, and the guys put on a really good show. I just wish we coulda heard more stuff from the (alleged) new album Dear Tommy. If you’re out of the loop on this one, Dear Tommy was supposed to come out in 2014. But Jewel destroyed all physical copies of it after a near-death experience in Hawaii. He decided it “wasn’t nearly good enough”, so he started all over again. 4 years ago. I don’t know what you’d call Chromatics – indie pop? electropop? Whatever it is, Dear Tommy has become the Chinese Democracy of its genre. As you can see from the playlist, the show ended with several covers, and it’s amazing that Ruth Radelet single-handedly got me to like a Bruce Springsteen song, for God’s sake.

Chromatics live

Anyway, I’ve rambled on enough. It was a very good show, and I’m glad I went. The venue was nice – I go to shows there every 4-6 years and, oddly,  it somehow gets nicer every time. The staff were friendly and polite. I was one of the first x people through the merch line, so my t-shirt purchase ($25) was placed in a complimentary tote bag (normally $10) with two 12″ singles\EPs and an album inside, along with 5 folded posters. Nice! Too bad the “XXL” tour shirt is more like a Taiwanese L.

Here’s the Spotify playlist: