First off, my apologies this is SOOOOO late. December was once my slowest work month, but over the past few years it seems like more and more personal events are filling what used to be the empty December space in my calendar.
This year in particular, I had a lot of “health issues”. I put that in quotes because I’m fine. I had a minor outpatient surgery in mid-December and am 100% back from that. But ever since my insurance switched me to a new network last May, these new doctors been VERY proactive in checking me out. For example, since I’m a former smoker, they wanted a chest CT scan… which I did last week, and which came back fine. Point is, I’ve been doing A LOT of this kind of stuff the past couple months.
Aaaaaanyway, musically 2024 was much like 2023 for me… I loved tons of individual tracks, but as far as whole albums go… not so much. I do think I like this year’s Top 10 albums more than last years, though: according to Last.fm I listened to many of this year’s albums more than their corresponding album last year!
So let’s get to it: below are my ten favorite albums of 2024. The list comes from my Last.fm stats generally; I almost always tinker with the specific order of the albums. After that are the honorable mentions, followed by the “Band of the Year”, “Song of the Year”, “Live Song of the Year” and the raw data from Last.fm.
My Top Albums of 2024
10) Emilíana Torrini – Miss Flower – I love Emilíana Torrini SO MUCH you guys! Her 1999 album Love in the Time of Science is easily in my all-time, take ’em to the grave Top 10 list! But her output has always been sporadic. This is her first solo album since 2013’s Tookah! There’s a lot to like here! It’s much more in the “electronica” vein than the “acoustic singer\songwriter” genre she always seems to flirt with. Odd thing is, I like the non-single tracks here way more than the singles. There’s nothing wrong with “Black Lion Lane”, but I think the opener, the dark “Black Water” is so much better! I’m just SO GLAD to have this lady back! Now: COME TO ATLANTA! (Charlotte’s a wish too far, huh?)
9) Fabienne Debarre – Welcome to the Age of Broken Minds – Most years I have at least one “mystery guest”, an artist so unknown that Spotify, Last.fm and Wikipedia have no information about them at all. To many, Fabienne Debarre might be just that person this year… except she’s got deets. She’s a long-time collaborator of Baxter Dury (son of Ian Dury, of “Sex & Drugs & Rock & Roll” fame). She’s also a longtime member of the well-regarded French band Evergreen. So yeah… maybe you’ve never heard of her, but this is an all-around solid album of European indie synth(-ish)pop. There’s really not a bad track on this one, and I found myself surprised at how often I’d put on the opening track, “Burning” (see below) and would listen to the rest of the album all the way though.
8) The George Kaplan Conspiracy- Polychromatic – So… French Nu-Disco is a thing. This album slaps. It’s the kind of thing you can throw on at a party and forget about, ‘cos there are no ballads or acoustic bits. This is the kind of music you’d hear in a really hip European coffeehouse or lounge. Or on the soundtrack to some hip TV show like You or Killing Eve. Or in Topshop, or whatever place hipster 20 year-old European girls shop at these days. The point is, they’re fun! Give ’em a try!
7) Oxford Drama – The World Is Louder – Oxford Drama are a duo from Wrocław, Poland. They make some really good indie pop tunes! And this is one of those albums that kind of inexplicably sticks around. Like, I’d see it in my library in Spotify and think “sure, let’s hear this song!” but I’d stick around for the whole album! It’s kind of Corrs\Sixpence None The Richer-like at times, so if you dig those bands, check these guys out! I really like them… but then again I’m a guy who “stops liking bands once you need a comma to count their fans”.
6) Cults – To The Ghosts – Founded by San Franciscans in New York City all the way back in 2010, Cults are a mixture of 60s girl bands and gauzy dream pop. But they’re kind of silly, too. They have the same kind of tongue-in-cheek “Oooooo! We’re SCARY!!” thing that The Cramps had so long ago. And it especially comes through in this album (check out that video!). They’re just a lot of fun, and this album just has this incredible “what if Betty Draper was a serial killer?” vibe that I just adore! I don’t understand why this band generally, and this album specifically, aren’t more popular with the GenX crowd. If you watched 120 Minutes, this band is SO for you! Also, these guys covered The Motels’ first LP, and it’s worth tracking that down!
5) Julia Holter – Something in the Room She Moves – I don’t know how to say this without sounding like a pretentious twat, so here goes: Julia Holter’s music isn’t for everyone. This music exists at the junction of art pop, ambient, avant-garde, experimental and modern classical that’s… difficult to approach in a lot of ways. This isn’t the kind of music you throw on at a party… unless maybe it’s an acid party? But there’s something deep in it, something fundamental, that I really like about it. Holter just resonates with me on a deep level, and this album continues her string of home runs!