Wow… what a terrible year it’s been for TV so far. I’ve looked at Wikipedia and several TV websites just to make sure I didn’t miss anything.. and it would appear that I haven’t: there just hasn’t been a lot of quality new stuff on TV so far.
Here’s my mid-year list of the best new scripted shows on TV. After that, there’s a brief essay about new shows that tried and failed and some awards. So let’s do this thing:
The Best New Shows of 2014
#12 Turn (AMC) – Spies in Revolutionary War America? HELL YES! What’s not to love about a show like that? It’s like AMC made a show just for me. Except… “interestingly-interpreted” history aside, this show is slow, like many AMC shows are, and the premise of the show – spying – seems to be forgotten from time to time in favor of character development. That’s not necessarily a bad thing: character development is a crucial part of any good show. But, at times Turn seemed too much like AMC’s other spy show, Rubicon: you wonder what happened to the premise. However, I put this on the “best-of” list because of an interview I read with the show’s creators: it seems like they have heard our concerns, and season 2 should be a much improved show.
#11 True Detective (HBO) – Beautifully shot. Expertly acted. Carefully written. And then it all falls apart at the end. What is it with modern anthology series? ‘Cos this show TOTALLY reminds me of American Horror Story, and how AHS always starts off pretty well, but limps towards a lame finale every single time. True Detective could have been the hands-down favorite for best new show of the year… possibly even best new show of the decade. But the conventional, formulaic ending left me cold. It’s like the first 7 episodes were almost unbelievably good, but the last one… was like something out of a direct-to-DVD movie, Or like the writers quit with 10 pages left to write in the script. Or something.
#10 Silicon Valley (HBO) – This new series from Mike Judge – creator of Beavis and Butthead, King of the Hill and Office Space – is pretty damn amusing. It’s almost like The Big Bang Theory for computer nerds like myself. While a knowledge of the IT industry and programming is helpful in understanding the laffs, it’s not required. Sadly, this is because the show, awesome though it is, seems to rely on standard stereotypes, especially the “IT nerd afraid of his own shadow”. One nerd is terrified of his possible success, Another is afraid of girls. Another – the more down to earth one – is apparently afraid of being sober. Still, this show delivers the funny more than any sitcom I’ve seen in a while. It’s definitely worth a watch!
#9 Mr. Sloane (Sky Atlantic) – I’ll admit it: I am a sucker for anything with Nick Frost of Spaced, Shawn of the Dead and Hot Fuzz. In this series, Frost plays accountant Jeremy Sloane (“with an ‘e’, like Sloane Square”). Jeremy is having a terrible 1969: his wife has left him, he was fired from his accounting job, and his nosy elderly neighbor lets herself in whenever she wants, which always seems to be the wrong time. Jeremy has just about had it with life all around. But then he meets Robin (Ophelia Lovibond), a free-spirited American hippie who changes his life… but just as things start to take off with Robin, Sloane’s estranged wife Janet (Olivia Colman) returns, throwing everything up in the air. Will Jeremy move on with his new American love? Will he go back to his wife? And will he finally ditch his terrible high school friends? This show didn’t get a lot of love from British TV sites, but I really liked it. It was heartfelt and bittersweet, while being funny at the same time. Sure, Sloane’s a loser… but he’s a loser anyone can identify with.
#8 Happy Valley (BBC) – Sarah Lancashire stars as Catherine Cawood, a police sergeant in an idyllic town in Yorkshire. But life isn’t as pretty as the setting would seem. Drugs are flooding the town, and Cawood has her own personal tragedy: the suicide of her daughter after being “raped” by a man named Tommy Lee Royce (played by James Norton; while Cawood’s daughter and Royce did have sex, it’s not entirely clear whether he actually raped her or not). Cawood finds that Royce has been released from prison, and she makes it her duty to track his every move. Little does she know that Royce is a pawn in a much bigger game. It takes the police a while to figure it all out, but in the end, many smaller crimes are part of a much larger conspiracy. Will they be able to solve the case in time? This series got rave reviews from most critics, but for one thing: it has a couple of pretty brutal scenes of violence against women. Here’s my take: while it’s true that British TV seems to have a newfound fetish for hurting women… so what? Was it OK for cop shows to show men suffering for decades, but somehow it’s a problem NOW because it’s women? Can we have female police officers in real life, but not show actual violence they might encounter on our TVs? Also, and this is just me nitpicking, but why did they use “cannabis” as the “evil drug” in this series? They could have used crack or meth to be the “evil drug turning our fair citizens into zombies”, but no… they blamed skunk instead? Ooookkkkaaayyy.