No, It’s NOT Ironic…

OK, so this is a pretty weak (not to mention short) rant, but here goes:

Am I the only American that’s just fed up with people that use the word “ironic” all the time without knowing what it really means? Irony is defined as:

[a]n intentional contradiction between what something appears to mean and what it really means. Irony is normally conveyed through contradictions between either what is said and what is meant or appearance and reality.

In casual usage, irony generally means “an outcome that is the opposite of what was intended or expected”. If someone spent their entire adult life working in a fire extinguisher factory and died when their house burned down (due to a lack of extinguisher)… that’s ironic. Someone’s house burning down on the day they make their last mortgage payment? Not ironic.

In other words, if porn star Ron Jeremy were to move to Virgin, North Carolina, that would be ironic, since Ron Jeremy is pretty much the opposite of a virgin. If, however, he moved to Infected Cock, North Carolina, that would not be ironic. It would be a coincidence (and a funny one at that)… but it wouldn’t be irony.

I guess my main rant here is that far too many people call something “ironic” when the proper word they should use is either coincidence” or sheer “bad luck”.

Speak the Queen’s English, people!

WCNC Can Suck It!

So… last night I was hanging out here at the house, waiting for My Name Is Earl, The Office and 30 Rock to come on. Since the missus and I have a DVR, we often wait until a show is over before watching it, so we can skip the commercials; since we were out of town most of this week, we had a backlog of stuff to watch. So instead of watching The Office live at 9:00PM, we watched Hell’s Kitchen from Tuesday while waiting for The Office to finish recording.

But no. There were some storms in the Charlotte area last night, and our lovely NBC affiliate, WCNC, decided to run 2 hours of “Storm Updates” instead of showing their regular programming. Let me repeat that… instead of showing Thursday night’s programming (which included the season finales of Scrubs and 30 Rock), they chose to show their weatherman giving us viewers “second by second” updates on the storms… which, by the way, were in the extreme northeastern corner of WCNC’s viewing area. There wasn’t a cloud in the sky in Belmont during all this, and in fact the weather for most of the Charlotte area was just fine… a light rain in some parts, but mostly cloudy skies in the rest of the area.

But no. Instead of my favorite comedies, I get some jerkass weatherman breathlessly wanking about the storm for two freakin’ hours! In case the program directors at WCNC hadn’t noticed… it’s 2008, folks. WCNC broadcasts SD programming on channel 36 (cable channel 6), HDTV programming on channel 36.1 (cable channel 220) and… 24 hour weather information on channel 36.2 (cable channel 221). They could have chosen to run their normal programming and simply added a crawler that said “for storm news, please tune to channel 36.2” on the screen… but they didn’t. Since many folks don’t have digital TVs yet, they could have even flip-flopped their programming, and run weather information on their SD\HD channels and their normal programming on 36.2 for the 97% of us that were unaffected by the storm.

And to add insult to injury, they did run a crawler that said that “… My Name Is Earl, Scrubs, The Office and 30 Rock will be broadcast tomorrow on NBC.COM…”. Why yes, that’s a perfectly acceptable substitute: a 320×240 streaming Internet video looks exactly as good as the 1080i version WCNC would have broadcast!

Bastards!

Even Pests Won’t Eat It!

A few weeks ago, Lisa decided to order us some pizza. She got on the phone with the folks at Pizza Hut, who convinced her to try the “Pizza Mia” pizza. It seemed like a good idea at the time: 3 medium pizzas for $5 each! How could we lose?

Yeah, right. Pizza Mia pizza is bad. I mean, it’s not awful… but it’s just not very good. Lisa and I both ate our pizzas unenthusiastically that night. In the following days I’d remind Lisa about her leftover pizza in the fridge.; instead of her usual “Yeeeeaaaaahh! I gots pizza!”, she’d just shrug her shoulders and say “Meh”.

I didn’t realize how truly bad Pizza Mia was until a couple of weeks later. We have some stray kitties that come up on our deck, and Lisa just can’t say no to a kitty. So she put a bowl of food out on the deck. This, of course, attracted a raccoon, who normally sneaks up on the deck and eats all the food left in the bowl. Well, one night I went outside for a smoke and found this:

Chester - Pizza Mia

Apparently the raccoon had found some Pizza Mia pizza in someone’s trash. And not only did my neighbors not want it, the raccoon didn’t want it, either, so he left it in the food bowl! Chester, the stray kitty pictured above., didn’t want it either – he whined and whined until the pizza was taken out of the bowl.

Man, if your pizza is so bad that even raccoons and stray cats don’t want it, you’re doing something horribly, horribly wrong!

REVIEW: “Hard Candy”

Madonna - Hard CandyHard Candy is Madonna’s 11th studio album. Will it be an instant classic (like Ray of Light or Confessions on a Dancefloor) or will it be an instant bomb (like American Life)?

Honestly, in this “true blue” fan’s opinion, it falls somewhere in between. I like much of the music, but Madonna’s lyrics (never that great to begin with) could really use some work. What made Ray of Light so great was that we got a peek behind Madonna’s veil; the lyrics were heartfelt and real. This honesty continued on Music, but had largely disappeared by American Life, where Madonna tried (and failed) to skewer George Bush, Hollywood, and other aspects of “American life”. by Confessions, she’d mostly gone back to doing straight pop music, which was a relief. Which sounds hypocritical, I know. On the one hand, I want her to stay away from political messages and other “deep” topics, yet on the other hand I criticize her for writing “silly” pop tunes. But it’s deeper than just that. Sure, Madonna isn’t known for being a deep thinker, and her songs work better when she shies away from such things. But that doesn’t mean that she has to rehash the same lyrics again and again. Check out these lines from the new album’s opening track, “Candy Shop”:

All the suckers are not all we sell in the store
Chocolate kisses so good
You’ll be beggin’ for more
Don’t pretend you’re not hungry
I’ve got plenty to eat
Come on in to my store
‘Cos my sugar is sweet!

Hmmmm. Fine, I suppose, but not much different than anything else she’s written over the years.

You’ve probably heard the next track on the album – “4 Minutes” – so I won’t waste a lot of time on it. Suffice it to say that although I don’t dislike the song, I’d probably like it better if it was someone else singing it, not Madonna. Is that weird? Does that many any sense? I will say one thing: I hate it when the artist of a song is mentioned in the lyrics (which is one of the many reasons I hate rap music). I don’t know why… it just gets on my nerves.

“Give It 2 Me”, the third track on the album, is one I actually like a lot. It loses much of the Timberlake \ Timbaland \ Pharrell Williams \ Kanye West influence and sounds more like something Stuart Price would have done.

“Heartbeat”, the fourth song on the disc, sounds suspiciously like something Nelly Furtado would do… and, let’s be honest here, Furtado would have done it better.

The fifth track – “Miles Away” – is a bit more downtempo than the others on the album so far. Although it has a nice beat, the somewhat spartan music – mostly an acoustic guitar, with some synths thrown in for good measure – the song just seems slower than the other tunes on the disc. It’s also an interesting tune in that it seems written directly to Madge’s husband, Guy Ritchie. Many of the songs so far contain a few hints of trouble in the Ritchie marriage… but this one seems aimed directly at Guy:

I just woke up from a fuzzy dream
You’d never would believe those things that I had seen
I looked in the mirror and I saw your face
You looked right through me, you were miles away…

As if that weren’t enough, the next track – “She’s Not Me” – is directly written to a man that’s having an affair on Madonna:

She started dyeing her hair and
Wearing the same perfume as me
She started reading my books
And stealing my looks and lingerie

I just want to be there when you discover
You wake up in the morning next to your new lover
She might cook you breakfast and love you in the shower
The thrill is momentary, cause she don’t have what’s ours

She’s not me
She doesn’t have my name
She’ll never have what I have
It won’t be the same
It won’t be the same

Wow. Bitter much? The song’s pretty good (I’m not a fan of the “love you in the shower” line).

The next song, “Incredible”, also sounds like something Nelly Furtado would put out, but it works much better than “Heartbeat”. It’s an infectious tune, one of those songs you crank up on the car stereo but carefully turn all the way down when you cell phone rings. You just can’t help but get the song in your head for hours at a time… and that’s not necessarily a bad thing.

“Beat Goes On” is the 8th song on the album. It’s got a nice, “bouncy” bass line… but is sounds too familiar. For reasons I cannot fully explain, it almost sounds like an updated outtake from Erotica or Bedtime Stories. It’s pretty decent, but is ruined for me by the background vocals.

“Dance 2night” is a nice (if forgettable) throwaway pop tune. It really reminds me of a 70s disco\R&B tune – especially the bass line, which actually kicks ass. It’s like Chic came back to life for one song!

The 10th song on the disc – “Spanish Lesson” – couldn’t be a bigger Furtado rip-off if it tried, with hip-hop influenced percussion over “Spanish style” acoustic guitars. It’s not… bad, but I’ll probably skip this tune when I listen to this album in the future.

The 11th song – “Devil Wouldn’t Recognize You” is the album’s “hidden gem”. It’s slow and introspective, with a nice melody, accentuated by piano\synths. It’s a really nice track, so it’s sad to see it burned so far near the end of the disc. If I were in charge of the track list for this album, I’d move it to just after “Miles Away”. Seriously, listen to this song.

The final track on the album “Voices” might as well be a B-side. It’s decent enough, but not good enough to write more about here.

All in all, it’s a better album than I had feared it would be. Any time I see the words “Madonna” and “urban” in the same sentence, it’s usually a sign of awfulness. It’s also a bad sign when Madonna “hooks up” with the “latest and greatest” producer (like Timbaland, in this case). Notice that the best Madonna albums happen when Madge picks a DJ or producer out of relative obscurity (like Stuart Price for Confessions or William Orbit for Ray of Light). She should always stick to her won instincts, rather than do “what’s cool at the moment”…. which I guess is my main complaint with this album.

It seems to me that Hard Candy is Madonna’s blatant attempt to “black up” herself in order to win back a US audience. Confessions was a huge hit in almost every country but the U.S., so I guess Madonna thinks that getting Kanye West to sing backup will help her gain fans here. And I suppose she’s smart to think that. The album is actually pretty decent (even if I’m not especially excited about it as I was for her past few albums). Just like a loyal puppy, I’ll stick with her through this “phase”, and I’m guessing most of her hard core American fans will, too. So she can essentially release this album “risk free”. But that doesn’t mean that I have to like that she’s hanging out with Justin Timberlake and Kanye West.

Time Warner: Navigator sucks!

Check out my updated review of Navigator here!

Recently, my Time Warner cable DVR was “upgraded” from Passport to “Navigator”, Time Warner’s in-house DVR application. Can I just say one thing? It sucks.

Unlike many others, I actually like the newer, high-res menus, although I can see where the “blue on blue” might be off-putting for some:

Time Warner Cable\'s \

Sadly, “better graphics” is about the only nice thing I can say about the Navigator software. Oh, there are a few nice touches here and there – you can now sort your recorded programs by name as well as date, and if you initiate playback of a program that had been stopped previously (if I, for example, watched the first 10 minutes of The Office, then clicked “play” to watch it in full a few days later), you can now press SEL + Restart to begin playback from the beginning (on Passport, you had to select “Save” or “Delete” and then go back to the main menu and press SEL + “Restart playback from beginning”).

Although the new software looks much better and has a few nice upgrades, it fails miserably as a DVR. On Friday night, the DVR was set to record The Soup and Battlestar Galactica at the same time (10pm). Although I was there, sitting in front of the TV, I got up to help Lisa with some aspect of the home improvement stuff, then decided to have a smoke. “No problem”, I figured… “I’ll just wait 10-15 minutes into the show, so I can watch it ‘live’ but skip the commerials”. But no – the DVR didn’t record the episode… at all! Man, I was pissed! So I went into the guide and told it to manually record the 12:30am replay of the episode… and when I checked the settings, the DVR wanted to record the 5:00am repeat of an episode from season 2 – and there was no trace 12:30 episode I had just then set to manually record! I manually deleted the 5:00am episode, then told it to record the 12:30 episode again! (to Navigator’s credit, It did end up recording the episode).

Then there’s the issue of “New” programs. I have most of my series set up to record only “new” episodes of most series. A show like The Tudors broadcasts several times a week on the several Showtime channels, so recording only the first episode of the week saves a lot of hassle and disk space. Between local syndication, TBS, TNT and Cartoon Network, shows like Family Guy and The Simpsons come on several times a day, and deleting unwanted episodes is a chore. The Navigator software has an annoying tendency to mark every episode of these shows as new, so it ends up recording episodes you don’t want. But what’s even more annoying is that you can scan the “Scheduled Recordings” menu and fine no trace of these shows! If I were to press the “Scheduled Recordings” button right now (Monday afternoon), I’d see nothing but stuff I actually want to see – tonight’s new episode of Bones (which I actually haven’t watched in a year – I don’t know why I even have it on the DVR anymore), Tuesday night’s new episodes of The Riches and Hell’s Kitchen, then nothing on Wednesday, then a busy Thursday of My Name is Earl, 30 Rock, The Office, and Lost. There will be no trace of The Tudors in the “Scheduled Recordings” menu. Yet, somehow, tomorrow morning, there will be a “new” episode recorded on the DVR. That’s simply unacceptable.

Also, as previously reported, missing from the search feature is “keyword search”. With Passport, you could search the program guide for KATE WINSLET or LONDON or TAR HEELS or any phrase you fancied. Passport would return not only movies with Kate Winslet, but also appearances on Leno or Letterman, or Inside the Actor’s Studio. You can’t do that any more. You can only search by the name of the show. Which bites, especially since the “keyboard search” doesn’t seem to work half the time. I typed in “Deadliest Catch” the other day… and there was no trace of the show in the program list… even though I had just seen it in the guide. Nice work, Time Warner!

Navigator also has a nice feature where you can opt to have your Favorite Channels listed in the guide at the beginning of the list, or the traditional “embedded within other channels” way. The problem is that Navigator moves the Favorites to the beginning of the program guide – it doesn’t copy them. Which doesn’t work well with the music channels. If I tune in to the Alternative channel (514), then I can’t simply press the down arrow to get to the Retro-Active channel (515). This is because channel 515 has been listed at a favorite, and is now near the beginning of the guide. So the only way you can navigate to 515 is to open the guide and press the PAGE UP button all the way to the beginning of the guide (which can cause Navigator to crash) or enter the channel numbers manually: 5+1+5+SEL. What a pain!

Lastly (for now), the FF and REW buttons are… odd. If you rewind a recording, it rewinds but then skips ahead a few seconds. Passport did this too, but did it well. Navigator, on the other hand, seems to wait a variable amount of time to skip ahead after rewinding, so it’s almost impossible to get to exactly the point where the show is coming back from commercial. After futzing with it for the past few days, I usually just watch the last 8 seconds of the commercial and stew about how crappy Navigator is.

I could go on, but I won’t. I’ll just say that I long for the days of Passport. It didn’t have a lot of fancy features, but it was rock-solid at being a basic DVR. I know I seem to be the minority when I say that, but for me it’s been true. Sure, the SA8300HD could act up sometimes, but it was, for me, a pretty solid machine. I guess my local TWC head-end is just well run, ‘cos I really hadn’t had that much trouble with Passport. Navigator has crashed three times on me so far, and that’s 2 more times than Passport crashed on me all of last year. Scrolling quickly through many menu can crash Naviagtor, and rebooting the box will take up to six minutes! (No, that is not a misprint). Word is that TWC is testing some brand new Samsung DVR boxes to appear to work much better with the Navigator software. Let’s keep our fingers crossed, ‘cos the current situation sucks!

In the interest of fairness, I’d like to add a tip and dispell some myths about the Navigator software:

– To get into the “configuration screens”, press the SEL key on the remote until the “Mail” LED lights up on the front of the cable box. Then press the DOWN arrow. You will see at least 28 configuration pages – you can’t edit any of these pages, but you can get important information like the version of the software you are using, the hardware in your box, and how much free RAM\disk space you have.

– When Navigator debuted, many complained that TWC had “killed” the 15-minute skip feature that Passport had. This rumor was either not true, the feature was not documented, or perhaps it was added to the software later on, because you can easily skip in 15 minute increments by pressing and HOLDING the REW\FF keys on the remote.

– Passport had the option to change the screen resolution (Normal, Zoom, Stretch) by pressing the VIDEO SOURCE button on the remote; you could also press the pound key (#) to do the same. Navigator has killed the VIDEO SOURCE button, but you can change the resolution in Navigator by pressing the # key.

STUFF I MISS: Famous Amos Cookies

Wally Amos was born in Tallahassee, Florida on July 1st, 1936. He moved to Manhattan with his aunt when he was twelve, and he then enrolled at the Food Trades Vocational High School. Amos had always been interested in cooking, and it was from his aunt that he would get his recipe for chocolate chip cookies. He would improve on the recipe in the following years, as he dropped out of high school to join the Air Force, eventually got his GED and went to college to become a secretary. After graduation, he was hired by the William Morris Agency, rising from his clerical position to become the agency’s first black agent. His gimmick was to bake up a batch of his delicious cookies and send them to celebrities with his business card and an invitation to come in to his office. The cookies worked… Diana Ross and The Supremes were just one of his many clients.

Over the years, many celebrities told Wally that he made the best cookies in the world. Many also suggested that he open up his own cookie store. In 1975, Wally did just that, and Famous Amos Cookies were born:

famous_amos

The cookies originally came in the above tin, but would soon work their way into the deli sections of many grocery stores in white paper bags. I remember that a 5oz. bag cost $2.99 or $3.99 (outrageously expensive for a bag of cookies in the early 80s). Who cared though? The cookies were sublime. They had bits of chocolate that always seemed unbelievably sweet, gooey and fresh. They had “just enough” pecans to make them interesting, but not enough to overwhelm the chocolate. The batter itself was unbelievably buttery and brown sugar sweet. Hmmmmmm… “the sharp, almost malty ‘tang’ of molasses…” Mmmmmmmmmm… Where was I? Oh yes, the cookies. They probably had 500 calories each, but they were so good that you didn’t care!

Sadly, “real” Famous Amos cookies lasted only a few years. Financial troubles caused Wally to sell the company in 1985, and four different companies owned the brand for the next few years. During this time, the quality of the cookies varied widely, from close facsimiles of the original to lifeless cookies that wouldn’t give Chips Ahoy a run for the money… and then back to the original formula, then again back to some cheap basic “cookie”. In 1992, President Baking bought the brand, and Keebler Foods then purchased President in 1998. Keebler was then bought out by Kellogg in 2001. By this point, Famous Amos was just a “brand” that has no resemblance to the divine original cookies. It’s sad. You’d think that Kellogg might want to go back to the original (heavenly) recipe and have both “cheap” and “upscale” cookies with one brand. But alas, that hasn’t happened yet…

But we can always dream!

Quote of the Day: Bourdain

“Vegetarians, and their Hezbollah-like splinter faction, the vegans, are a persistent irritant to any chef worth a damn. To me, life without veal stock, pork fat, sausage, organ meat, demi-glace, or even stinky cheese is a life not worth living. Vegetarians are the enemy of everything good and decent in the human spirit, and an affront to all I stand for, the pure enjoyment of food.”

Get well, Jen!

I’ve known Jennifer King (Dunn) for… almost 17 years now. She’s my second oldest friend in the entire world, and it makes me feel old to think that in my life I’ve known her longer than I haven’t known her. I also think that it’s kind of sad that I’ve lived in Charlotte for 5 years now and I’ve probably seen her less in that time than when I lived in Atlanta. People change, though, and when Jen got married she “adopted” her husband’s friends. I’m not gonna knock her for that; I know that it “just happens” with people. Hell, my “Duluth High School crowd” were freakishly close until everyone started to hit their 30s, and then folks started moving away, or having children, or what have you. Where once 50 of us would get together to celebrate someone’s birthday, you’re now lucky to even get a tiny handful for almost any reason.

My point behind all this is that even though Jen and I aren’t nearly as close as we once were, I still care about the girl an awful lot. And if you’re one of the “Charlotte gang”, you probably know what happened to her this week. It’s depressing and it’s pointless… and I sincerely hope that she gets better ASAP.

I love you, you damn weirdo! Get well, and soon!  🙂

British Sinks

Since I discussed German toilets yesterday, I thought I’d bring up one other thing I just don’t get: British sinks. Most every sink you’ll find in a British restroom has dual taps – one for hot water and another for cold water:

British sinks

So if you’re at a museum, a pub, McDonald’s, or even a posh restaurant, you’re supposed to put the stopper in the sink and fill it with a mixture of hot and cold water, then wash your hands in the mixed water. Of course, many places don’t have the necessary stoppers, so you have to run both the hot and cold water. The hot water is usually so hot that you can barely stand it, so you have to move your hands between the hot and cold taps as your hands either burn or freeze.

What I want to know is… why do they still have these awful sinks? America hasn’t had dual-tap sinks in decades, and most of Europe converted over to single-tap faucets after World War II. Britain, it seems, is the sole “double tap” holdout in the developed world. I found a possible answer in a post at another blog, which cites this Wall Street Journal article from 2002:

LONDON (Oct. 31, 2002)—During a wartime visit to Moscow in 1942, Winston S. Churchill discovered a marvel of modern technology: hot and cold water flowing from the same faucet. The plumbing in the villa where he stayed as a guest of Stalin was unlike the primitive British standard of separate taps for hot and cold. Rather than having to fill up the sink to achieve the right blend, the British leader could wash his hands under gushing water “mingled to exactly the temperature one desired,” as he put it in his memoirs. From then on, he resolved to use this method whenever possible. His countrymen have been slow to take up the single-spigot cause. Most bathroom sinks in Britain still have separate hot and cold taps today, 60 years after Mr. Churchill’s conversion and decades after nearly all dual taps were scrapped in the U.S. and most vanished from continental Europe. For reasons of thrift, regulations and a stubborn attachment to tradition, the British have resisted the tide of plumbing history. Even when they renovate old homes, many choose two-tap systems, and builders often install them in new, low-end housing. Separate taps account for an estimated 40% of all bathroom-faucet sales in the UK…. Britons don’t understand why foreigners raise a fuss over this issue. “The British are quite happy to wash their hands with cold water. Maybe it’s character-building,” says Simon Kirby, managing director of Thomas Crapper & Co., a maker of bathroom equipment in Stratford-on-Avon. Boris Johnson, a Conservative Party member of Parliament representing Henley, congratulates “the higher civilizations” that have adopted advanced plumbing technology. But he argues that having the choice of either hot or cold for washing hands “is an incentive to get it over and done with and not waste water.” (…)

(“Old-Fashioned Faucets: Unique British Standard” by James R. Hagerty; from The Wall Street Journal Online)