See? I’m Not Crazy!

For years, conservatives railed against what they called the “liberal media”. The liberals were strangely quiet about it… that is, until the birth of Fox News. Now they lampoon the idea that a “liberal media” even exists. Imagine my surprise a few days ago when MSNBC published this list of political contributions by journalists. There are dozens upon dozens of names on the list, and guess what? Most of them have a “D” by their name! Surprise, surprise surprise! In fact, if you remove the few names on the list from “known conservative” publications like the Washington Times or New York Post, and if you remove the names from journalists so high up on the food chain that they feel compelled to give to both parties… what you have left is a sea of Democratic campaign contributions.

Come on folks – you can’t tell me that a bunch of people, 85-90% of whom contributed to the Democratic party, can’t make up a “liberal media”. That just doesn’t make any sense! So read the list and tell me what you think.

For the record, I’m a registered Republican, but am actually more of a Libertarian. I was actually a card-carrying Libertarian for several years, but got sick of being lonely on election night. In any case, I’d side with fiscal conservatives of any party before I’d side with the socially liberal ones.

My Letter to Fox

From 2004, when Fox canceled Wonderfalls:

Well, Fox has done it again! I have been a loyal viewer of the Fox Network for years, mainly due to their edgy comedies and “non-stuffy” dramas. Of course, my loyalty has been tested for the past couple of years, as Fox seems determined to become the “bad reality TV channel”. I enjoy a lot of their footage-based reality shows like World’s Wildest Police Chases and World’s Stupidest People Caught on Tape, but some of the “original” reality shows they offer – like Who Wants To Marry A Gay Midget Millionaire? and When Animals Attack Magicians – just push the envelope into bad taste instead of edgy television.

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All About Screen Resolution

Do me a favor, will ya? Minimize this window and right-click on your desktop. Select “Properties” and then click on the “Settings” tab. OK, do you see a slider on the left hand side of the window? It’ll probably say something like 800×600, 1024×768, 1280×1024 and so on. Slide it back and forth and see your screen resolution. When you’re done playing, click “cancel” and come back to this page.

Here’s why I asked you to do that: your computer’s monitor is a fixed size. Statistically, it’s probably 17″ or 19″ across diagonally, but it could be a bit smaller or larger. Whether you have an “old school” CRT monitor or a “new school” LCD monitor, it’s all a piece of glass that can’t be made any larger or smaller.

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RANT: Court Martialing The Colonel

It’s been a while since I’ve “gone here” with you, but I won’t waste time with fancy introductions:

The KFC restaurant at 6813 E. Wilkinson Blvd. in Belmont, NC is the WORST FAST FOOD RESTAURANT I’VE EVER BEEN TO! And I’ve been to 3 continents and a communist country!! Yes, this KFC is worse than the Burger King on North Avenue in Atlanta. Worse than the Long John Silver’s in Rock Hill, South Carolina. Worse even than the McDonalds on the Getreidegasse in Salzburg, Austria. Whyfor, do you ask?

Well, for starters the staff simply cannot get even the simplest orders correct. As you probably know, I moved to Belmont in January of 2003. Since then I have visited this store approximately six times. And not once has our order been filled correctly. Lisa and I typically get some kind of “meal”, which is a bucket of chicken, a few sides and a quantity of biscuits. But even on this level it’s not correct. The coupon says “6 biscuits” and we get 4 instead. The coupon says “3 large sides” and we get 2. And strangely enough, all the screw-ups are in their favor!

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Ghosts?

Well, I’ve become addicted to yet another British TV show. The show is called Most Haunted and it is quite similar to the Sci-Fi Channel’s Ghost Hunters. Given the long history of TV producers on both sides of the Atlantic stealing each others ideas, it’s probably safe to say that Ghost Hunters is based on Most Haunted. In any case, the premise behind Most Haunted is simple – a film crew and a “spirit medium” visit a supposedly haunted site and record the events of a night spent there with green “night vision” cameras. I’ve seen about eight episodes of Most Haunted to this point and not much happens aside from the occasional noise and ex post facto video evidence of paranormal activity, such as shots of books on the floor after a spirit has supposedly pulled them off a bookshelf. The show itself is a bit of a set up, really. Think about it – here’s a film crew spending the night sitting in the dark in some four hundred year-old house in the English countryside. It’s no wonder they hear things. Lots of houses make noise, especially once they pass the century mark. And any person in an unfamiliar setting – especially one there for the premise of finding ghosts – is sure to interpret any sound as something out of the ordinary. Also, many of the “psychic” types the show uses – mediums and whatnot – lack credibility, even for people of their profession. This isn’t because they’re “quacks” per se, but because of the locations Most Haunted visits. It’s not hard to imagine that a medium could be compromised – consciously or not – by investigating a building he or she might have read about back in school. For instance, Most Haunted once visited the Chatham Dockyard, which at one time was the Royal Navy’s most important shipyard. It was hardly surprising then that the show’s main medium – colorful character named Derek Acorah – was “contacted” by the spirit of Peter Pett, who just happened to be the commissioner of the dockyards at the time of the Royal Navy’s most humiliating defeat ever. One might think that the show would hire an American or Canadian medium to take some of the possibility of cheating out of the loop. But alas, they never called me for that suggestion. Also, the show’s mediums sometimes “channel” spirits from several hundred years ago that speak modern English remarkably well; as you might know “English” from the 13th or 14th century was markedly different than it is today. Perhaps the earliest a current English speaker could go back in a time machine and still be understood by people of the day would be around 1550, yet Derek can “channel” people from 1400 that speak as plainly as a Londoner today.

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What About The Aliens?

So I’m hangin’ at the house one night, kickin’ it and flipping through the dial when I come across Penn and Teller’s new show: Bullshit!. As Penn so eloquently said, “if you call someone a liar or a quack, they can sue you. But if you call what they do ‘bullshit’, you’re legally OK.”

Anyway, as you might imagine from the name, the show is dedicated to debunking spurious claims, such as penis enlargement pills, global warming – or in the case of that night’s episode – UFOs. In my time I’ve known several people that genuinely believed that aliens walk among us, visiting regularly in their super-fast spaceships to find out all they can about us with the dreaded anal probe. Personally, I think the whole thing is a sickness. Just as some people get addicted to drugs or join cults, these people are tying to fill some void in their lives. They have a need to be “different”, yet part of a group at the same time. It becomes an almost religious belief. And interestingly enough, most everyone I know that believes in UFOs – the little green men with anal probes – also thinks Christianity is “silly”. Go figure.

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A Tale Of Two Apps

Unless you’ve been living on Mars for the past few years, you’ve probably heard of the war between Windows and Linux. But there’s more to this battle than just a group of Linux “freedom fighters” taking on a monolithic corporation. There is a philosophy at work here and I’m talking about something deeper than the “information wants to be free” mantra that the open-source crowd is fighting for. You see, Microsoft has spent billions of dollars and man-hours trying to make software that’s easy to use. Unix on the other hand has always been about software that does one thing and does it well. To that end, most people can sit down in front of a Windows computer and get the hang of it after a couple of hours – yet Windows has historically been an OS of dubious stability. Unix (and its offshoots, like Linux) has a reputation for stability but is also well-known for being somewhat less than user-friendly.

Unfortunately, this is par for the course with computers. Making a program easy for non-technical users means adding huge amounts of code, which introduces the possibility of instability. Making a program as rock-solid as possible means removing large amounts of code or features. Think about writing down a recipe – for someone that’s never cooked anything before, the recipe would need to be long, complex and detailed. Writing that same recipe down for a professional chef like Jamie Oliver or Emeril Lagasse would take far fewer steps. The sheer length and complexity of the first recipe means that you are more likely to make a mistake while writing it down; the smaller “professional” recipe – being shorter – will, by definition, have fewer instances for you (the “programmer”) to make an error in your “code”.

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The Future of TV

Advances in technology are rapidly changing the way we “consume” entertainment. MP3 players with gigabytes of space on them mean we can take around entire jukeboxes in a player smaller than a pack of cigarettes. Satellite radio means we can get non-stop music or uncensored talk radio from anywhere in the country. Using my PC, I can record audio streams from thousands of radio stations anywhere in the world and burn them to an audio or MP3 CD for listening later in my car (or on a portable player).

But one of the biggest changes that will come is to the way we view television. Already DVRs like TiVo, ReplayTV and Scientific Atlanta’s Explorer are making just about all TV “commercial free” in a sense. There are very few shows that Lisa and I watch “live” these days as it’s just far more enjoyable to record it and use our DVR’s “super fast-forward” feature to skip through commercial breaks in around 5 seconds. Even for shows that we watch “live” – like 24 and Lost – we typically wait until around 20 minutes into the show before watching so that we can skip through all the commercial breaks and still finish the show at the usual time. And the easy-to-use interfaces on these DVRs mean that even Mom & Dad can record their favorite shows – either a single show or an entire series – and watch them at a time of their choosing.

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REVIEW: Keane live!

What: A review of the British band Keane in concert
Where: The Roxy Theatre, Atlanta, GA January 28th 2005
How Much: $20, plus TicketBastard’s “convenience charges”

Don’t you just love falling in love? I think everyone has the same kind of moment… you’re in the car listening to the radio… at a friend’s house listening to CDs… or hangin’ out at a club… and then it happens! Some song comes on and makes all the hairs on your arms stick up. It grabs your attention and holds it completely, just like a beautiful woman. And the next thing you know, you’re at a record store buying every CD from the artist you can find. You’re surfing the Internet looking for fan sites. You’re bidding outrageous sums of money for the artists’ memorabilia on eBay. You even spend the few extra bucks to order their CD directly from the UK, just so you can have it before any of your friends. The next thing you know, you’re even considering naming your first child after them!

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REVIEW: Emiliana Torrini’s Fisherman’s Woman

What: The new album from the Icelandic chanteuse
Where: Currently available in the UK only
How Much: £8.50 at Amazon UK

Torrini CoverYou know what I hate? Have you ever bought a great CD from an artist, only to never hear from them again? I suppose in a way it’s better than really bad follow-up albums. After all, was there any need for A Flock of Seagulls’ 1995 stinker The Light At The End Of The World or The Fixx’s unheard-by-anyone 1991 album Ink? At least when an artist disappears you don’t have some godawful claptrap ruining your memory of the band. But still, a collapse into nothingness is sad. There are a slew of abandoned websites out there that promise “a new album coming out soon!” yet haven’t been updated since 1999. I thought that one artist in particular was going to fall into this trap, but thankfully she hasn’t.

I don’t remember the exact moment I first heard Emiliana Torrini. I do know that it was while working for Pathfire, where one of my co-workers – good ol’ Joe Klingler – had a massive music-sharing file server set up. It’s kind of funny – he was told to spend the rest of his department’s budget for the year, so he went out and bought a massive server with a RAID-10 disk configuration and gigabit Ethernet in it and… Well, it’s not that important, really. It suffices to say that he commandeered a massive amount of company hardware that held well over 200GB for music on it at the time. So anyway, one day he turned me on to this mellow Icelandic chick whose voice sounded a lot like Bjork but who’s smooth, mostly downtempo electronic music was much more soothing and consistent than her fellow countrywoman. I mean, I’ve got nothing against Bjork, but the girl can sometimes just be all over the damn place. And while I can appreciate her wanting to develop a new sound for each album… well, sometimes it’s just a bit too much. Emiliana Torrini has a much more… controlled sound. When you listen to her, you can rest assured that she’s not going to go off on some loud, jazzy “It’s Oh So Quiet” rant just when you’re falling asleep. No, Emiliana is far more smooth and atmospheric, some would say in the Massive Attack vein. I think that that comparison is a bit off, but there *is* certainly some truth to it. While Emiliana is mostly softer electronica, that doesn’t mean that all of her songs have less of a beat than most Zamphir tunes. No, no… far from it. The girl can rock when she wants to!

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