As I do on this site every year, lemme send a big HAPPY BIRTHDAY MADONNA to the best pop singer that ever was and ever will be! Every year you just get better and better!
NO WAY that woman’s 49 years old!
Drinking whiskey clear!
Songs and bands I love!
As I do on this site every year, lemme send a big HAPPY BIRTHDAY MADONNA to the best pop singer that ever was and ever will be! Every year you just get better and better!
NO WAY that woman’s 49 years old!
Duran Duran was my first favorite band. From 1981 to 1985, I listened to them almost constantly – and I’m sure it drove my family crazy.
Anyway, like most bands that have been around for a while, Duran Duran has had several “eras”, from the “international playboy” days of the Rio album to the “post-apocalyptic” look from the “Wild Boys” era. While I enjoyed them all, the one I liked most was the “New Romantic” look from their earliest days. They wore pirate shirts and leather pants… or cool-looking faux military uniforms. There was lots of makeup involved. Unlike bands that other kids liked (such as AC\DC), Duran Duran was all about style. And that was cool! Even better, the music was dancey and spacey. It was the perfect blend of pop and dance. There was minimal guitar action; instead there were synthesizers that sounded more like effects from a video game than the traditional sounds organs and keyboards had utilized before. There was a sort of futuristic flair to the whole thing that I simply could not resist. Early Duran Duran, in many ways, seemed like something out of Blade Runner.
And no song they ever did encapsulates this better than “Faster Than Light”, the b-side from the “Girls On Film” single. It’s funny – I used to hang out at this record store in my old hometown. This punk rock chick used to come in the store, and we’d talk music. I thought she was so hot – although to be honest, I thought pretty much every girl was hot back then. But this one actually talked to me! And one day she commented that “Faster Than Light” was her favorite Duran Duran song. And you just imagine the rest: as if straight from a movie, I rushed home and played the song over and over, thinking it was the greatest thing ever. Have a listen; maybe you’ll think the same thing too!
[audio:Duran.mp3]
Anthony (Tony) Wilson passed away from cancer today. He was 57.
Wilson was a reporter for Britain’s Granada Television in the early 1970s. Hearing that the Sex Pistols were going to play Manchester’s Lesser Free Trade Hall, Wilson decided to attend the show. The concert inspired him to start his own record label, Factory Records. Factory would be the driving force that created the “Madchester” scene in the late 1980s; the label would put out records from such iconic British bands as Joy Division, New Order, A Certain Ratio, The Durutti Column, Happy Mondays, James and Orchestral Manoeuvres in the Dark. Factory also opened The Haçienda, the famous Manchester nightclub that became ground-zero for the Madchester scene, just as Studio 54 was the capital of the disco “movement”.
Sadly, even though Factory artists were extremely successful, and although The Haçienda was one of the most popular clubs in British history, Wilson didn’t make a lot of money from the ventures. New Order’s “Blue Monday” was the most successful 12″ single in history, but the record’s complex packaging led Factory to sell each copy at a loss. The Haçienda was popular initially because of its cheap cover charges and drinks; once Wilson increased The Haçienda’s prices, the drug ecstasy took off… and people stopped drinking alcohol.
Much of the Madchester scene was documented in the popular 2002 film, 24 Hour Party People, of which Wilson is a main character. Much of the film is filled with anecdotes and rumor, so don’t take everything in the movie as gospel.
An interesting tidbit about the Sex Pistols show Wilson attended: only around 40 people showed up for the show… however, the crowd was perhaps the most influential audience in history. People known to have been there include Wilson, Howard Devoto, Pete Shelley and Steve Diggle (all of The Buzzcocks), Morrissey, Ian Curtis, Bernard Sumner and Peter Hook (of Joy Division and New Order), Martin Hannett (famous record producer), Mark E. Smith (of The Fall), Paul Morley (a music journalist with New Musical Express) and Mick Hucknall (of Simply Red). The audience was so amazing that a book – I Swear I Was There: The Gig That Changed The World – was written about it.
Carla Bruni is an unbelievably hot French supermodel and heiress. You might know her from her modeling days, or perhaps from her well-publicized affairs with Mick Jagger, Donald Trump, Kevin Costner and Eric Clapton. But that’s not important right now. What is important is that she left the fashion world in 1998 to become a singer and songwriter. Her first album, the mostly French Quelqu’un m’a dit (Someone Told Me), was a huge hit in Europe. Three songs from the album were featured in Hans Canosa’s excellent 2005 film Conversations with Other Women, which is how I came to know Carla Bruni as a brilliant chanteuse.
“Quelqu’un M’A Dit” is the title track from the album. It’s a mostly acoustic affair, with some violins and cellos thrown in for good measure. Of course, the song’s entirely in French, so I have no idea of what she’s saying. Here’s a brief translation of the first stanza:
On me dit que nos vies ne valent pas grand chose,
Elles passent en un instant comme fanent les roses.
On me dit que le temps qui glisse est un salaud que de nos chagrins il s’en fait des manteaux pourtant quelqu’un m’a dit…
Someone told me that our lives aren’t worth a thing,
They pass by in an instant like roses wilting.
Someone told me that times slides by like a bastard,
That he makes his blankets from our grief.
At least someone told me…
OK, so it’s not a very happy song. It’s about how short our lives are, how quickly time passes… and someone still being in love with someone else. But it’s so pretty! Have a listen for yourself:
[audio:bruni.mp3]
Back in May, Peter Hook announced that New Order was breaking up during an interview with radio station XFM in the UK. Later that day (or week), he posted the same thing on his MySpace page.
It seems that he might have jumped the gun a bit. This story, posted today on the BBC’s website, says that although Peter Hook may have left the band, Bernard Sumner and Stephen Morris have every intention of carrying on as New Order without Hook.
Why it took that Sumner and Morris two months to make this information public is a mystery.
Back when I was in high school, I wore contacts and had some punk rock lookin’ hair. I guess because of the hair and lack of glasses, I would occasionally be told that I looked like Robert Downey, Jr. This was a compliment at the time, since chicks dug Robert Downey, Jr from his movies like Weird Science and Back To School, plus Robert hadn’t hit the skids with his crazy partying just yet.
Well, time passed. Most of my hair has fallen out. I’ve gained quite a few pounds. My eyes simply can’t handle contact lenses any more. I’m not nearly as pretty as I used to be, and no one tells me I look like Robert Downey, Jr. any more. In fact, no one was said that I looked like anybody… until recently.
We were out at the Breakfast Club a couple of weeks ago, and as I walked down to the end of the bar where my friends were, I noticed Tim looking at me funny. I didn’t think much about it, until he said “you know… you look like Andy Partridge of XTC”. What do you guys think?
In any case, I was kind of flattered. Andy Partridge is one of those guys that “brainy chicks” dig. The same kind of girl that would like, say, Elvis Costello, would like Andy Partridge. Which is cool. Not that I’m going to be tramping around anymore in this lifetime, but it’s always nice, you know? Of course, it would have meant more coming from some hot girl rather than Asher, but what the hell… I’ll take a compliment any way I can get it!
This video is silly… some might even say stupid. But I just can’t help myself: its just too damn funny! Without further ado, I present “Baby Got Back” in the style of Gilbert and Sullivan:
… was on September 14, 1984:
Interestingly, there is a story that appears in several Madonna biographies. It seems that “the president of a well-known record label” was in the audience that night. He (and we don’t know exactly who “he” is) is claimed to have laughed and said “well… her career’s over!” as soon as Madonna’s performance was done. Ironically, it was at that very moment that Madonna became a superstar. I guess I wouldn’t take any tips on the horses from that guy!
(In case you’re wondering why I posted this today… I was cleaning up an old folder of ‘cyberjunk’ this morning and came across this picture. It was originally a 1600×1200 bitmap (screencap) of a browser window from MTV’s “VMA Anniversary” site. The actual Madonna pic was embedded in a Flash presentation on the main page. I finally got around to cropping it and converting it to JPEG this afternoon.)
I don’t have any background on this clip, but it made the rounds some time ago. It seems that infamous jerk Glenn Danzig got into an argument with someone associated with his tour – a roadie, a security guy… somebody. Danzig pushed him, so the guy hauled off and smacked him… and then Glenn fell to the floor like a scared little girl! This video is TOO FUNNY!!! The file is 9.55MB, is zipped and is an MPEG-1 file, so it should be viewable on just about everyone’s computer without any codec downloads! Download it by clicking here. CHECK IT OUT!
What: Sony’s latest portable Minidisc player
Where: Stores everywhere
How Much: $129.99 MSRP, I paid $62.83 at Ubid.com
For years, Americans as a whole have been avoiding the minidisc. Minidiscs look something like one of those small 3″ CDs encased in a floppy disc shell. Revered by audiophiles as the only real way for the average person to listen to music digitally, the American hoi polloi have avoided them like the plague, and with good reason. For starters, there’s the whole format issue. Minidiscs came out not too long after CDs began to be the accepted music medium; this was also the same time that DAT and DCC came out, so it’s easy to see how the average person would stick with the more accepted CD. Also, since minidisc is a proprietary format, only Sony makes the players. This means that there is little (OK, no) competition to force prices down like there was for VHS or CD players. Lastly, minidiscs have also traditionally required realtime transfers. This means that copying 70 minutes of music to a minidisc required, well, 70 minutes. So even after Sony started lowering prices on MD equipment – which happened well after CD-R drives started invading American homes – people were loath to waste the time making MDs when even the slowest CD-R drive can do the same in about half the time.