Mad Men: “Signal 30”

This episode begins with a group of people sitting in a high school classroom watching a film about car wrecks. It’s obvious that this is a driver’s education class, and Pete Campbell is one of the students. He laughs at the film, and a pretty young girl tuns around and smiles at him.

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He smiles back at her, and looks at her legs.

Later that night he’s in bed with Trudy, wide awake thanks to a leaky kitchen faucet, which is making loud dripping sounds. He gets out of bed, finds his toolbox and appears to fix the problem.

The next morning, we see Rebecca trying to get Lane to hurry up and get ready for a social engagement. Lane asks if they just want a nice lunch, why not go to the park? Rebecca says she wants to get to the pub and enjoy the chitchat with friends. Lane says that they’re her friends, not his, and that he’s never enjoyed spending hours in pubs watching football. He also says that he hates “bringing England over in pieces”, and that it’s for the homesick. Lane sighs and tell Rebecca that her face becomes lovely when she tells him she needs something. He takes a long slug off his drink…

We then see him at the pub, happily cheering England on with his (Rebecca’s?) friend Edwin Baker. Later, the two couples eat lunch at the pub, and while the women talk about the differences between England and America, Edwin mentions that he might want to throw some business SCDP’s way.

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Mad Men: “Mystery Date”

This episode begins with Megan and a very sick Don getting on an elevator. The elevator stops, and an old flame of Don’s named Andrea Rhodes gets on. She begins flirting with him until he introduces her to “his wife, Megan”. Andrea backs off, and gets off the elevator a couple of floors later. Megan, almost under her breath, says “incroyable!” (“incredible!”) after Andrea leaves. Megan asks how many times they’re going to run in to someone Don has slept with. The two start to argue, but Don starts coughing and Megan turns away.

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In the office, Peggy, Stan and Michael work on a pitch for Topaz. Peggy’s friend Joyce Ramsay shows up with graphic pictures from some recent murders in Chicago. Stan and Peggy eagerly look at the photos, but Ginsberg is repulsed and calls them “disgusting”. Michael gets up and leaves, calling them all “sickos”.

At Joan’s place, our favorite redhead pulls a cake out of the oven and laments that it’s not set. Greg is coming come and Joan is obviously planning a party. Gail offers to go to the bakery, and Joan, obviously frazzled, asks if they have beer. Gail offers to take the baby, but Joan says that Greg will want to see him. Gail says that he’ll really want to “see” Joan first. Gail starts talking about what men doe when they’re away from home, and Joan tries to cut her off, as she knows that Gail is talking about her husband.

Meanwhile, Don lies on the sofa, obviously sick. His phone buzzes: it’s Sally calling him. He asks what’s wrong, and Sally says that “Grandma Pauline” is there and she (Sally) hates her. Don advises her to stay out of Pauline’s way and reminds her that Betty will be home Friday morning. Sally says that it is Friday, and that someone called Henry’s line and said that they couldn’t get a flight from Buffalo and that someone will be driving them back tonight. Don says that you’d think Henry could get a flight, and Sally agrees, sarcastically adding that Henry is so important. She then says that Henry and Betty call Bobby all the time at camp, and that they might talk to her if she was peeing in her pants like Bobby. Don says that she’s not being nice, but Sally continues to complain about Pauline’s perfume and that Betty lets her watch as much TV as she wants during the summer. Don advises her to go outside and get some sun. She says that she has already, and that it’s really hot outside. Don tells her to stop complaining, then starts coughing. Sally asks how he is, and he says that he has a cold, but that Sally’s call made him feel better.

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Mad Men: “Tea Leaves”

This episode begins with Bobby and Sally trying to zip up Betty’s dress. It seems that she’s gained a lot of weight recently. Henry calls for Betty from the staircase, as they’re late for a political function. But when he comes upstairs he finds her in bed, refusing to go. Henry gives her a kiss and leaves.

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Meanwhile, Don and Megan get ready to meet Heinz for a dinner, and Megan has no problem fitting into her dress. She’s talking to her mother on the phone, and then hands the phone to Don, who doesn’t understand her because he doesn’t speak French. Don hands the phone back, and Megan hangs up. Don says that they have to beat Heinz to the restaurant.

At dinner, Megan begins somewhat awkwardly. When asked how Don and Megan met, she accidentally blurts out that Don was divorced. She rebounds by asking Raymond and his wife, Alice, about their teenage daughter, Emily. Alice says that she’s too old for camp but too young for a job, and complains that Emily plays her music too loudly. Raymond asks Don if he’s heard of the Rolling Stones. Don says that he is, and Raymond mentions the song “Time is on My Side”. He says that he’s imagined them singing “Heinz is on my side” instead. He mentions that the Stones are going to be in New York, and asks Don if he can get them to record it for them. Don, clearly not excited about the idea, says that it doesn’t quite work that way, be he’ll see what he can do.

The next morning Pete and Lane wait for Roger to show up for a meeting, only to be told that Roger has scheduled it for his office. They go to Roger’s office and inform him that Mohawk called, and it’s now just a matter of time before they come back to SCDP. Pete says that he thinks Roger should handle the account, dismissively adding “since you were here when they were here, they think you know their business”. Lane then mentions some of Mohawk’s business troubles, and Pete mentions that Mohawk will need a dedicated copywriter. Roger says that they won’t accept a woman in the role and asks if they’re still paying Don. Pete says that Don won’t do such a middling task. Pete tells them to hire a local guy with experience and be done with it.

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Mad Men: “A Little Kiss”

Season 5 of Mad Men kicks off with African Americans protesting for equal employment opportunities outside the offices of ad firm Young & Rubicam. Y&R execs, fed up with the protesters, drop water-bombs on them. Several protesters go up to the Y&R offices to complain, but the receptionist assures them that no one on the executive floor would do such a thing… and, just at that moment, the Y&R execs walk in to the reception area with several additional water bombs.

We then see Sally waking up at Don’s new apartment. She walks down the hall, allegedly looking for a bathroom, but instead she knocks on Don’s bedroom door. She’s greeted by her father, but can’t help seeing a half-naked Megan in the bed:

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Don then cooks breakfast for Sally, Bobby and Gene. Sally gives Don his birthday present from the kids – a new shaving brush – as Megan walks in. Megan asks what the kids are doing today, and Don says they’re going to the Statue of Liberty, to which Bobby says that they’ve made many plans to go there, but never have. We then see Don dropping the kids off at Henry and Betty’s large, but soulless, home.

The next morning, we see Pete on the train, heading in to Manhattan from Connecticut. A fellow commuter strikes up a conversation, in which Pete laments how his sexy wife has become a boring mom. The commuter says that Pete now takes the 17:25 train home, but will one day take the 19:05 train home, and that if he got his driver’s license he could push it back even later.

At the office, Roger goes to Don’s secretary and laments his diminished role at the agency.

We then see Joan at home, changing the baby. Joan also skirmishes with her somewhat overbearing mother, who has come to help with the baby. Mom offers to take the baby for a walk, and Joan, who really wants a nap, readily agrees.

Pete asks Ken, Peggy and Stan if they are ready for the Heinz presentation. They say that they are, but they’re waiting on approval from Don and Megan’s designs for the coupons. Pete, irritated that he can’t get his secretary Clara on the intercom, storms out of his office to see Roger flirting with her. Pete rudely dismisses Roger and yells at his secretary. Finding out that Don has arrived, Pete goes to talk to him. The other partners appear, and Roger says that they should run an ad poking fun at Y&R for the water bomb incident. The men finish their impromptu meeting, and Don calls Megan into his office. He flirts with her, but she’s somewhat reluctant, because she doesn’t want people in the office talking about them. Caroline buzzes that Pete wants to see Don, so Megan leaves, but not before Don talks her in to opening her blouse for him.

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Mad Men Update

In case you missed it, back in January I posted this update about Mad Men where I mentioned that “personal issues” in my life might keep me from posting my famous Mad Men recaps in a timely fashion.

I just wanted to let you know that yes, I have been very busy with “personal issues” in the past couple of weeks, and will continue to be busy for the next couple of weeks. Please don’t expect the recap for the first episode until the week of April 9th at the earliest. I will try like hell to catch up from there.

By the way, the “personal issues” are nothing bad… on the contrary, I expect to have a lot of fun in the next couple of weeks. I’ll explain it all later, OK? 🙂

Some Mad Men News

The season premiere of Mad Men is almost upon us, and I wanted to link to a couple of cool online things I’ve found recently.

The first is this interview with Matthew Weiner, in which he discusses how season 5 (and beyond) almost didn’t happen.

The second thing is this neat article from The Atlantic which discusses the language used in the show. If you’re a fan of the series, you probably know the amazing lengths the show goes to to ensure authenticity. The costumers require actresses to wear reproductions of period (no pun intended) underwear. The Foley artists track down actual newscasts from the day in question to play on radios in the background, and sounds of period office equipment as background noise. The prop designers painstakingly recreate concert tickets, newspapers, matchbooks, restaurant menus and other ephemera of the era. But when it comes to language, the show falls a bit short.

Benjamin Schmidt, author of the Atlantic piece and a “visiting graduate fellow at the Cultural Observatory at Harvard and a graduate student in history at Princeton University”, wrote a computer program that analyzes online Mad Men scripts and subtitle files ripped from DVDs, and then uses Google’s Ngram Viewer to compare the scripts to written works of the period. And while it’s true that there aren’t that many obvious mistakes (at no point does Peggy say “OhMyGod! Gag me with a spoon!”), there are a million subtle ones.

Much of the language in the show did exist as a concept at the time of the series, but wouldn’t enter popular usage for some time later. For example, in season 1, Salvatore talks about “espresso beans”; while the concept existed (and might have been common in Manhattan’s Italian community in the 60s), the specific phrase didn’t enter mainstream use until the 1980s. And speaking of the 80s, in season 4, Pete Campbell said that Philip Morris used SCDP as “leverage” to get a better deal with a competing agency. “Leverage” (in that sense) didn’t appear in “American Business English” until the 1980s. Sure, it existed as a banking term, but was almost unknown outside that. All in all, it’s a fascinating read, and worth checking out.

Mad Men season 5 promo
Soon.

My Top 10 Simpsons Episodes

I’ve watched The Simpsons for over twenty years now. True, I’ve really scaled back on watching new episodes for the past couple of seasons, and I’ve also managed to almost completely stop using Simpsons references in everyday conversation.

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But I still think Simpsons references. Whenever someone says they love something, I mentally add “… like I love Fresca!” Whenever someone talks about an odd food combo, I’m thinking “Nuts and Gum: Together at Last!” Whenever someone spazzes out, I wonder if they need to be put on Repressitol. Whenever someone mentions a bad movie, I think “Hi, I’m Troy McClure. You may remember me from such films as Twilight and Bad Teacher.” Any time I have to enter my name into a video game, I have to fight, truly fight, the childlike urge to enter “THRILLHO”. And dammit… when am I gonna be able to buy a sixer of Skittlebräu?

Which is why I found it strange the other day when I realized that I rarely mention the show on this site. So let’s fix that! Without further Apu [groan!] here are my top 10 Simpsons episodes, in no particular order:

“Lisa the Greek”

Lisa the Greek

(Season 3, episode 14)

Plot: Lisa complains to Marge that Homer never spends time with her, so Marge suggests that she take an interest in something her Dad likes. Homer, who has lost scads of money on betting hotlines, asks Lisa to pick his games for him. Using her hippy-dippy logic, she picks winners almost constantly. Homer decides that every Sunday is “Daddy-Daughter Day”, and the two of them bond during football season. However, as the Super Bowl approaches, Lisa figures out that Homer’s only spending time with her for her picks. As soon as football’s over, Homer realizes the error of his ways and cancels plans to bowl with Barney so he can take Lisa hiking. Meanwhile, Marge dresses Bart up like a nerd, and he gets beaten up by the local bullies.

My Take: It seems odd, leading off with a “Lisa episode”. After all, Lisa episodes are known (and generally reviled by Simpsons fans) for being schmaltzy and preachy. But this is one of the good ones – the football bits had me in stitches, and the ending was sweet without being saccharine. In fact, this is the way all heartfelt episodes of The Simpsons should end.

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That Honda “Ferris Bueller” Commercial

So… Honda convinced Matthew Broderick to star in a CR-V ad for the Super Bowl in which he skips work and has a very Ferris Bueller-like day:

httpv://www.youtube.com/watch?v=VhkDdayA4iA

There are a lot of “Easter Eggs” hidden in this commercial. Here’s what I’ve been able to find so far:

– The opening shot – with Matthew in bed – is almost identical to the one in the movie, although Matthew is using a cell phone.

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– Matthew’s agent’s office is one giant Easter egg: “Walter Linder” was the name above Abe Froman’s on the reservation list at Chez Quis; Walter tosses a baseball in his hand while he talks to Matthew; there are three bottles of Wite-Out on his desk, just as there were on Grace’s desk; a trophy similar to the one Ferris used to rig the sleeping dummy sits on the desk behind him; and over his left shoulder you can see the same “horse chair” that was in Ferris’ room.

Walter Linder
(click to embiggen)

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– There are also three pencils on Walter’s desk. Edie McClurg (Grace) felt that her character should have a 60s hairdo in the film, but the on-set hairdresser had only been hired to work on Mia Sara’s hair and had no idea how to do a big 1960s-type hairdo. So McClurg did her hair herself. When she arrived on the set, Hughes jokingly asked her how many pencils she thought she could fit in her hair. So they tried one, then two, then three… but a fourth fell out. That’s the origin of McClurg’s first scene in the movie, when she pulls pencils out of her hair.

– The framed drawing seen next to Walter’s lamp was on Ferris’ fridge. In the original script, Ferris had younger siblings. They were written out of the movie, but their refrigerator drawings made it into the film… in case you were wondering why there were children’s drawings on the fridge when both kids were in high school:

Drawing

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– When Walter hangs up the phone, we see the name of his agency on the glass: Roeman, Peterson, and Frye. Mia Sarah played Sloane Peterson and Alan Ruck played Cameron Frye in the film. I’m not sure who “Roeman” is, unless it’s a spoof on “Abe Froman”:

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– The next two shots – of Matthew sitting up in bed and then opening the blinds – are almost exact duplicates of scenes from the film. However, his line was changed slightly. In the film he asks “[h]ow can I possibly be expected to handle school on a day like this?” while in the commercial he asks “how can I handle work on a day like today?”

– Matthew is then seen holding a toothbrush in his hand and saying “one of the worst performances of my career and he never doubted it for a second”, a scene from the original film (however, in the film he says “they” instead of “he”, in reference to his parents buying his story).

– The next shot has Matthew with a towel wrapped around his head like a turban, speaking on a red telephone. Both the turban and the red phone were seen in the movie, although if I remember correctly, they weren’t seen onscreen at the same time:

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Mad Men returns!

Woo-Hoo! Mad Men, the greatest show in the history of television ever, returns on March 25, 2012 with a two-hour season premiere!

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The downside is that I will be very busy with something else around that time. I had been on the fence about doing recaps for season 5. It takes 8-10 hours to do each recap… and that’s just for the recap; that’s not including time wasted on Facebook or Twitter! It’s a lot of work, but something I love. But don’t kid yourself – it’s work. And while I still envision myself doing them, I’d hate to fall behind due to “real life” and then just kind of give up after an episode or two.

I’m sure I’ll still do them, but I’ll keep you posted about the recaps as the season approaches.