Random TV News

Here’s a bunch of random stories from the world of TV land:

– Fox has cancelled King of the Hill. Well, not “cancelled” so much as “will not renew”. This isn’t exactly surprising, since the show’s creators have moved on to other things – Mike Judge is doing a new series for ABC and Greg Daniels went on to produce The Office for NBC.

– For some reason, Fox has renewed American Dad. The show is OK, but I find the premise wearing thin.

– Jon Hamm of Mad Men is in talks to play Liz Lemon’s boyfriend in several episodes of 30 Rock.

– It might be the end for Pushing Daisies. Word on the street is that ABC has told the show’s producers to treat episode 13 as the “series finale” just in case the show does not get the order for the “back nine” episodes. Actually, the episode is supposed to work “either way” – as a series finale or as a springboard for the final nine episodes – so the network is covered in either case. This is both good and bad news. “Bad” because it looks like Daisies won’t be around next year; “Good” because it appears that the show, at the very least, won’t be unceremoniously yanked off the air.

January Jones: Goddess

OK, I promise that I’ll stop posting Mad Men stuff… but I just had to post these beautiful pictures of January Jones from an unknown photoshoot. I think Betty Draper, her character on Mad Men, is a modern day Grace Kelly… and is one of the most beautiful women in the world. Outside of the “Betty Draper” character, however, January Jones is usually less than impressive… especially in candid shots. I think she needs a new stylist. At any rate, I saw these online last night, and she looks really good in them, so I thought I’d share:

(click to enlarge)
(click to enlarge)

More pics after the jump!

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Mad Men: “Meditations in an Emergency”

Well, my two favorite football teams – the Georgia Tech Yellow Jackets and the Pittsburgh Steelers – both lost this past weekend. Normally, I’d be a horrible mood about it… but Sunday was the season finale of Mad Men… so let’s get right to it:

Many viewers wondered what Sally’s “Mommy, you’re bleeding!” comment was about near the end of the previous episode. We didn’t have to wait long to find an answer: Betty’s pregnant, thanks to her liaison with Don in “The Inheritance”. Betty’s physician, Dr. Aldrich, is all excited about the pregnancy… until Betty tells him that she can’t possibly have a baby right now. The doctor looks at Betty and says that “if we’re having the conversation I think we’re having, there are alternatives”.

He then says that he can’t believe that Betty – a wealthy, married woman – would consider even “it”. He tells her that as soon as she tells her husband and friends that she’ll “get into the swing of things” and that she’ll be OK. Dr. Aldrich apparently works out of his home, and when he leaves the room for a moment to go find a portable heater (so that Betty can undress for the examination), Birdie picks up her coat and purse… and leaves.

Back at Sterling Cooper, the “usual suspects” – Harry, Paul, Ken and Peggy – wonder why management wants all of their numbers way before they’re due. Paul wonders if the urgency has anything to do with Don’s absence in California. Harry says that he’s figured it out: Pete told him that the aerospace industry is about to take off (heh) out there, and that Don must be landing a giant account. Paul wonders if Don’s breaking off to start his own agency. Harry counters that he might be working to open Sterling Cooper West. He then laments that President Kennedy is giving a speech that night; since ads don’t run during presidential speeches, that’s revenue that Sterling Cooper is missing out on.

Peggy then goes to visit Pete, who’s eating a sandwich in his office. She asks if he’s told anyone about Clearasil yet; he sarcastically says that “it slipped his mind”. He also says that he’s waiting on a call from North American Aviation about a possible new deal. He then asks Peggy what to say to Duck. Peggy tells him to just tell him the truth, and that people respect that.

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Lionsgate looking for a new runner?

In “TV speak”, a show runner is the person responsible for the day to day operations of a TV show (e.g. the person that “runs” the show). Although the show runner can, theoretically, be anyone, it is usually a writer, especially if that writer is a big part of the show’s existence. In the case of Mad Men, Matt Weiner is the head writer, a producer, and all around “grand poobah” of the series. And his contract with Lionsgate – the company that produces Mad Men – is up for renewal.

Weiner has asked for $10 million a year, a figure that Lionsgate claims is far too high for their basic cable budget. Since Lionsgate is contracted with AMC for two more seasons of the show, they’ll have to have someone be the show runner, even if that’s not Weiner. However, he is the heart and soul of a show that gets fantastic reviews, decent ratings, and also won the first “Best Drama” Emmy for a basic cable series.

As TV Squad notes, Lionsgate will have to pay Wiener the money. It’s that simple. Mad Men has a fanatic fan base (obviously), and any drop in quality would instantly be noticed by them. Without Wiener you have no show… so ante up the ducats, Lionsgate!

Read all about it here.

The Final Verdict on Life On Mars US

Well, we’re three episodes in to the American version of Life On Mars… and my verdict: it sucks. Here’s why:

No Smoking: Once again, the people behind Life On Mars US apparently think that no one smoked in 1973. Whereas the original Life On Mars had as much smoking as an episode of Mad Men, in the American version not only does no one smoke, there aren’t even any ashtrays around! Seriously – in last night’s episode Sam and Gene went to a gay bar, and not only was no one smoking (in a gay bar?!?), there wasn’t even an ashtray to be seen anywhere! I know this is a small detail, but come on… how can you be “historically accurate” yet not have people smoking? Oh, and Ray holding a pen like a cigarette doesn’t count!

The Plots Are Too Simple: One of the main “selling points” of Life On Mars (in general) is that we can watch people existing in the recent past, all the while knowing what happens in their future. For example, in the original Life On Mars, Gene Hunt says that “[t]here will never be a woman prime minister as long as I have a hole up my arse”. Both the UK and US versions play this up for humor (last night’s episode had a “wink-wink” moment about gay marriage). But whereas the British version of the show chose not to make everything so black and white, the American version goes for the easy kill. In last night’s episode, a gay man – a war hero apparently “perfect” in every way except for his sexuality – is murdered. I just knew the whole “gays are people, too!” thing was coming… and it did. In the UK version, the gay man would have had something else in his past – an addiction to pornography, or gambling, or something – to give the show some ambiguity and make it feel less like an ABC After School Special.

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The SWEETEST Show Ever!

Oh my God… is Pushing Daisies the SWEETEST show of all time or what?

Sadly, the show might not be around for much longer. The “Strike Disease” that’s affecting all of the new shows from last season that were cut off by the strike – Pushing Daisies, Chuck, Terminator: The Sarah Connor Chronicles, and Dirty Sexy Money, just to name a few – is really affecting Daisies. The show was originally a surprise hit, pulling in better-than-expected numbers for ABC. However, after the writer’s strike, the show simply isn’t gaining traction. Mainstream media like MSNBC are wondering what’s wrong with the show, while ratings blogs like tvbythenumbers are “this close” to putting the show in the “likely to be cancelled” death pool.

Which is a crying shame. There really hasn’t ever been a TV show like Daisies. Yes, it’s like a favorite comfy sweater or pillow… and it almost makes me tear up at least once per episode.

So… enjoy it while you can , folks!

Mad Men: “The Mountain King”

Wow! Just… wow! After last week’s less than stellar episode, this week’s Mad Men was just… amazing! So let’s get right to it, shall we?

“The Mountain King” begins at the Draper home. Betty yells at the children to clean up their mess. She then goes into Don’s office and endorses his paycheck (which is dated October 11, 1962). She goes to light a cigarette and finds something amiss. Betty gets up and quietly walks around the house… until she finds Sally sneaking a cigarette in the bathroom. Betty locks Sally in the closet as a punishment. Sally threatens to “tell daddy” when he comes home. Betty tells her that she is welcome to do so. From the other side of the locked door, Sally says that Don left “left because you’re stupid and mean”. Sally’s comment cuts Betty to the bone:

We next see Don getting off a bus in San Pedro, a small town around 25 miles south of Los Angeles.

Back at the agency, Ken and Sal sit with Peggy in her “office” trying to think of a way to sell Popsicles year-round. Ken complains about the noise and people constantly coming in and out (the Xerox machine is in Peggy’s office, remember?). Sal complains about the lack of “refreshments”, which causes Peggy to reach in her desk and pull out a bottle of Scotch. While Peggy pours, Sal says that his mom would buy him a Popsicle and break it in half, “like Jesus at the Last Supper”. This gives Peggy a flash of inspiration: everyone breaks Popsicles in half, and that is something you can do year ’round. She compares it to Communion, saying that the breaking of a Popsicle is a Christian behavior, if not a Christian action. Peggy says “and let me tell you something, the Catholic Church knows how to sell things”.

We next see Pete, who is walking back to his office. He asks his secretary Hildy if there are any messages. She says that Burt Peterson called with a question about an expense report… oh, and that Trudy has gotten them an appointment at Spence-Chapin, an adoption agency. Hildy then gives a brief speech about how wonderful it is that Pete’s adopting an unwanted baby. Pete, with clenched jaw, thanks her for the messages.

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