The Bank Job: Great Film!

I’ve loved movies far back as I can remember. But in the past few years, I’ve watched fewer and fewer movies. Part of this is because Lisa doesn’t much care for movies, so we don’t watch them as a “couples activity”. Another reason is that TV has gotten better and better. With Dexter, The Fixer, Pushing Daisies, Ashes to Ashes, Lost and a dozen other great shows broadcast directly into my home, why go to the movies?

Yet another reason I don’t watch a lot of movies these days – the main reason, in fact – is because movies don’t challenge me any more. We’re all familiar with romantic comedies, right? Boy meets girl, some problem comes up that keeps boy and girl apart, and the problem is resolved at the end of the film (which either involves driving at top speed to the closest airport or a party scene full of people dancing to classic pop songs like “Ain’t No Mountain High Enough” or some such dreck). Predictable, right? To me, all movies are like that these days… unless you go the other route and watch nothing but Lars Von Trier or David Lynch movies, which are “anti-predictable”… so much so that you want to bang your head against the wall.

This is why I was so surprised by recent film The Bank Job. All I knew going into it was that it was “based on a true story” and that it starred Jason Statham (who could be one of my favorite actors if he’d stop appearing in shitty movies). Given how much I love Guy Ritchie films I figured it’d be just another Brit gangster film… and boy was I wrong!

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Staham plays a guy called Terry. He owns a failing used car business somewhere in London in the 1970s. He’s apparently borrowed money from a less than legitimate resource, because two “debt collectors” show up one day and smash up the two decent cars Terry has to sell. He needs money to pay his loan shark off… and quickly.

As if by magic, one of Terry’s old flames, Martine (Saffron Burrows), shows up one day with a plan: a branch of Lloyd’s Bank on Baker Street is having their alarm system replaced, and so the bank will be without a working alarm system for a couple of days while the upgrade takes place. Terry quickly assembles a team of low-level criminals and puts the plan in motion. They rent a leather goods store a couple of stores down from the bank, then begin tunneling under a chicken takeaway to get to the vault, which is stuffed with cash, bonds and jewels.

But there’s more to the story than meets the eye. It’s neither accident nor coincidence that Martine shows up with a bank robbery plan just when Terry needs lots of money. Martine, it seems, was busted trying to bring a not insignificant amount of drugs into the country. At some point during her short incarceration, an MI-5 agent (Britain’s version of the FBI*) offers her a deal: get a gang together and rob the Lloyd’s Bank (and specifically, safety deposit box 118) and not only will they let her go, they’ll even let her keep any of the loot they take from the robbery!

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One might wonder… “what sort of thing could be so serious that MI-5 would not only encourage someone to rob a bank, they’d offer immunity to them and let them keep their ill gotten gains?” How about photographs of Princess Margaret, Queen Elizabeth’s younger sister, involved in an interracial orgy?

Worse yet, the photographs are owned by Michael X, a pimp, drug dealer and illegal casino operator who took up the “Black Power” cause in the UK. He was the first non-white to be prosecuted for violating the Race Relations Act when he publicly urged the shooting of any black women seen with a white man. MI-5 is desperate to lock up Michael X, but as long as Michael X threatens to turn the photographs over to the media, they’re powerless to stop him.

As happens with intricate plans, things don’t quite work out the way anyone had planned. Martine was supposed to keep her deal with M-I5 a secret and let everyone else take the fall for the robbery. When she confesses the real motive behind the robbery to the gang, everything changes. And when they find a gangster’s ledger that contains records of hundreds of police bribes and compromising photographs of a high-ranking Member of Parliament (both of which are completely unrelated to the safety deposit box with the photos of Princess Margaret)… well, things get really complicated.

I won’t spoil the movie for you any more… like I said, things do work out in the end, but like I also said, it’s not exactly in the way most of them intended. The most interesting thing about this film is the “based on a true story” label. How much of this story is real, and how much of it is mere speculation?

Much of the details that make up the movie are still classified by the British government (Michael X’s file, for instance, is sealed until 2054). The film’s makers claimed to have an “inside source”, who was identified in press reports as “George McIndoe”. And it appears that the filmmakers went to decent lengths to match what’s known about the incident with the film (the store they rented was indeed called “Le Sac”, and the takeaway was called “Chicken Express”, for example). And of course, Princess Margaret really existed, as did Michael X. So who knows. What I know is that the film is wonderfully entertaining. It far exceeded my expectations, which more than I can say about most films these days!

* – OK, the FBI and MI5 are quite different, actually. But for the purposes of this post, they’re close enough.

My Girlfriend Hates Battlestar Galactica

Lisa hates Battlestar Galactica. When I tried to watch the season 4 premiere last week, she refused to be in the same room with me. I had to change it to something else. I think she even starts tossing and turning in her sleep if I watch it in bed on my portable video player!

This is, of course, a crying shame. Battlestar Galactica is a science-fiction show, but it’s not your “usual” Sci-Fi dreck. It’s not a simple “Old West” story dressed up in futuristic design (like Star Wars). It’s not a soap opera set in space… and it’s not mindless entertainment (like a lot of Sci-Fi in the past few years). Galactica is a story about people, and how they behave and interact with each other in desperate times.

The story behind Battlestar Galactica is this: a race of human beings somewhere in the universe created a bunch of robotic slaves called Cylons. The Cylons eventually became “self-aware” and rebelled against their human masters. A war of epic proportions broke out, and neither side was able to gain a full victory. So a cease-fire was called, and for 40 years there was an uneasy peace between the humans and Cylons. One day, however, the Cylons launched a massive attack on the human settlements (called the “Twelve Colonies”). Almost all of the humans on these planets died in a nuclear holocaust. A handful of people on the various planets survived, but the bulk of the survivors were people in transit on spaceships. One of the surviving ships was the Battlestar Galactica, a giant spaceship (a cross between an aircraft carrier and battleship) left over from the human\Cylon war. The remaining ships gather around Galactica and this “rag-tag fleet” begins searching for the mythical “Thirteenth Colony”… Earth.

So… that’s it in a nutshell. But there’s so much more than that. The Cylons, you see, originally looked like robots, so much so that humans gave them the disparaging nickname “toasters”. But the Cylons have spent the past 40 years working on making Cylons that look and act just like humans. These “new” Cylons are so nearly identical to humans that “real” humans cannot tell the difference. They bleed just like humans. They have real “human” skin. They look just like a “real” human under an x-ray or CAT scan. In fact, there are only two ways to tell when a “human” is really a Cylon: the first is when\if they suddenly act crazy and try to blow up a ship. The second is when people discover “copies” of the Cylons (there are only 12 “models” of “human Cylon”, so when an exact duplicate of someone that doesn’t have a twin brother\sister shows up, you know that they’re Cylons).

As you might guess, the humans freak out when they discover that the Cylons have figured out how to make “people”. Witchhunts aplenty begin popping up all over the fleet. An “Us vs. Them” mentality rears its ugly head, and much of the first season of Battlestar Galactica will be uncomfortably familiar to most Americans in this post-09/11 world. In fact, you could substitute the word “terrorists” or “Islamic militants” every time someone on BSG says “Cylons” and you would have the same conversation that’s taking place all over America today. At some point, many “human Cylons” (and those suspected of being “human Cylons”) are tortured in scenes eerily similar to Abu Ghraib or Guantanamo Bay. Just as in todays’ America, many of the humans in Battlestar Galactica oppose profiling and torture, and there’s an ongoing battle between the military and civilian leadership for control of the fleet. Sound familiar?

And I haven’t even mentioned theology yet. The humans, you see, are polytheists. Like ancient Greeks and Romans, the humans worship a panoply of gods and goddesses. The Cylons, on the other hand, are monotheists, who believe that they were created by the humans acting through the One True God. To the Cylons, humans are imprefect, while they themselves are perfect creatures created in God’s own image. Again, does this sound familiar? Interestingly, it seems that the One True God of the Cylons also gave them a certain measure of free will. At the beginning of the series, Cylons are somewhat similar to Terminators – simple robots hell-bent on carrying out their missions. As Cylons interact with people, some of them begin to change. One of the Cylons, Sharon ‘Boomer’ Valerii, foe example, falls in love and starts siding with the humans. Towards the end of season 3, a chasm develops between the Cylons, where some of them continue to work towards the complete annihilation of humanity in general, while other Cylons that want to “work with” the humans to find a middle ground that everyone can be happy with.

I’ve left gigantic holes in my summary of Battlestar Galactica. I haven’t even mentioned Gaius Baltar, the show’s resident “is he evil or not?” character. Suffice it to say, if you haven’t watched Battlestar Galactica, you’re really missing out.

Current human population: 39,676

SONGS I LOVE: “Afraid of You”

Our Sleepless ForestIt’s been a long time since I’ve done a “Songs I Love” post (the last one was February 26th, 2008, and before that it was December 17th, 2007!). My apologies for that.

I have traditionally posted music from 1980s artists in these posts, and I’ve done that for two reasons: one, because I grew up in the 80s, and that’s the music I like; and two, because some tiny part of me thinks that the Music Police only bust people who post new music.

They won’t care about some middle-aged guy posting an ancient Tubeway Army track on an obscure blog somewhere… but post the latest Justin Timberlake track, and here come the guys with handcuffs! It’s silly, I know… but I just can’t help it. Fortunately, I’ve found a brand new band good enough to make me overcome this fear.

They’re called “Our Sleepless Forest”. They’re a bunch of young guys from South London (many Internet posts about them talk about how they’re barely of legal drinking age in the UK, which is 18). And the music they make is simply amazing. It grabs your attention in an instant, and holds it there until they’re done with you. As I’ve said many times before on this blog, I’m not someone that can experience “love at first listen” with most bands. I usually have to listen to things over and over before I really start liking them. Even with a song I really like (say, Tiesto’s remix of Paul Oakenfold’s “Southern Sun”), I start with “that’s pretty interesting”, then move on to “huh – not bad”, then go to “hey, I like this!” to finally, “I love this!” (In the case of “Southern Sun”, it took hours to finally reach the “love it” stage, since the song is over 9 minutes long). With Our Sleepless Forest, I has able to skip all those levels and fall instantly in love!

The music is not for everyone, however. It sounds like… well, imagine what an instrumental This Mortal Coil song would sound like on acid. There’s plenty of gentle acoustic guitar, delicate synths, and sound effects that could sound out of place, but (surprisingly) don’t. Above all, there’s an unbelievable amount of sheer beauty in their music. Imagine the soundtrack to your most beautiful dream, and that’s what Our Sleepless Forest sounds like. It’s my favorite new album of the year (by far), and I can see myself as a “Sleepless Fan” for some time to come. Have a listen and tell me what you think:

[audio:forest.mp3]

The Riches: Slums of Bayou Hills

Wow! I tried to think of a polite way to say it, but I just can’t. The shit really hit the fan this week on The Riches… and I’m not sure how the Malloys will be able to hold it together this time.

Last week’s episode ended with Dahlia confessing her parole violations to a sympathetic parole officer she learned about at Nina’s AA meeting\drug buy. Dahlia walks into the parole officer’s office, thinking that he’ll accept her story at face value… only she couldn’t be more wrong. He cuffs her and yells at her. In a surprising burst of naivety, Dahlia actually seems… shocked that the officer doesn’t believe her story (when we, the home viewers, can easily see how it could be the same line of crap that the parole officer has heard a million times). The officer then cuts her some slack, giving her 24 hours to get a place to live and a job. In yet another incredible display of naivety, Dahlia seems shocked that no one wants to hire her – not even coffee shops and dive bars. Maybe Dahlia’s never actually looked for a real job before… I dunno. But she ends up getting a job at a seafood restaurant and renting an “apartment” in what appears to be a boarding house.

Dahlia repeatedly tried to ask Wayne for help, but this guy… whew… Wayne has his own problems! The Bayou Hills development in now in motion, and some of the investors are coming in for a meeting about it. The only problem is that one of the investor’s attorneys – Barry Stone, played by Curtis Armstrong (Booger!) – went to law school with Doug Rich. The attorney is visibly confused when he sees “Doug Rich”, but doesn’t say anything… especially after Sam (looking through Doug’s papers at home) finds some dirt on Barry, which keeps him quiet. Barry quietly manages to get word to his boss – Felix Minkov – that “Doug” is a con-man. After the meeting, Felix violently confronts Wayne, and tells him that he knows that Wayne is not Doug, is not a lawyer, and that they (Felix and Wayne) will set Hugh up and take all the money for themselves:

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Lest you think that’s the only thing going on with Wayne, he was also busted during the meeting by his long-suffering assistant, Aubrey. She sat quietly during the meeting, sending Wayne instant messages about legal terms he didn’t know. When Hugh and Felix announce that they’re going to screw the poor people out of the deal (Bayou Hills is to be built on what used to be public land; the government is selling it to Panco on the condition that they set aside some of the housing for poor Hurricane Katrina victims), Aubrey becomes furious with everyone, but especially Wayne. She threatens to bust him, but Wayne somehow manages to convince her not to. He says that he agreed to the plan to “evict” the poor people just to get Bayou Hills built in the first place, and that they (Wayne and Aubrey) will figure out a way to get the homes built for the poor people.

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And that’s still not all. Dale’s still around, and towards the end of the episode he’s seen calling someone (we don’t know who) on behalf of Eamon and giving them information about Panco. We also see Eamon and Ginny having a conversation about education at the Traveler’s Camp (about James Joyce, of all people)… Oh, and a guy named Chet Landry is now calling “Doug” at Panco looking for Pete! Frankly, I’m surprised that Wayne’s head didn’t explode at the end of this episode. As I said, shit is hitting the fan left and right for the Malloy family, and I just don’t see how they’re going to wiggle their way out of it – especially with only three episodes left in this (strike-shortened) season.

And lastly… Cael and Didi. As we all know, Cael hates life at Eden Falls, but Didi likes it. Most of the time anyway. Didi comes home from school in the middle of all this, and finds Cael (who didn’t go to school at all). The two have a series of heartfelt conversations. Cael suggests that they go to the mall and pull off some scams to get money; Didi refuses, not wanting to be a con artist anymore. He eventually talks her in to “pulling a Molly Branigan” (which is “traveler talk” for acting like street performers). At the mall, Didi sees some of her classmates, and is genuinely embarrassed to be seen busking with Cael. Didi breaks down and admits that she just “can’t do this anymore”. She wants things to be like they were, but she’s changed. She likes life at Eden Falls. The two have a teary “goodbye”, and Didi goes home to work on an English paper.

One last thing: Dahlia was having a really bad day… and once again, Wayne ignored her troubles to get her to help him with his troubles. This echoes the first season… and I hope Dahlia doesn’t fall off the wagon again!

Geography Fun!

I know what you’re thinking… “geography isn’t fun!” And I’d actually agree with you on that. It’s interesting, sure… but fun? Yes! Geography can, in fact, be fun. Check out these bizarre geographic anomalies in the United States:

Kentucky Bend, Kentucky: Kentucky Bend is a tiny enclave of the state of Kentucky caused by a hairpin bend in the Mississippi River. It’s surrounded by Tennessee to the south and the Mississippi River (and Missouri) on the remaining three sides. Interestingly, the bend was caused by earthquakes in 1811 and 1812, and Tennessee claimed the region until 1848:

Kentucky Bend

The Northwest Angle: A tiny sliver of Minnesota extends above the 49th parallel (in fact, the Northwest Angle is the only part of the US above the 49th parallel, not counting Alaska). The Northwest Angle came to pass due to the Treaty of Paris, which ended the American Revolutionary War. The treaty stated that the boundary between the U.S. and what would eventually become Canada would run “…through the Lake of the Woods to the most northwesternmost point thereof, and from thence on a due west course to the river Mississippi…” The only problem was that the map the treatymakers were using was wrong. In time, the error was noticed, but not “corrected”. Amusingly, any time the Angle’s residents get angry with the United States, talk of annexation by Canada comes up, although nothing serious have ever come of such talk. The Angle is shown here in purple:

Northwest Angle

Elm Point, Minnesota: Another enclave on Lake of the Woods, Elm Point is located southwest of the Northwest Angle.

Point Roberts, Washington: Yet another enclave, Point Roberts is located on the southernmost tip of the Tsawwassen Peninsula. By all rights, Point Roberts should be part of British Columbia, Canada. But the Oregon Treaty of 1818 (which attempted to settle long-standing border disputes between the US and the UK), defined the border as being the 49th parallel (except for Vancouver Island, which was retained by the British). Someone, somewhere eventually noticed that a tiny sliver of the peninsula existed south of the parallel, and thus, Point Roberts became part of the United States. As in the Northwest Angle and Elm Point, you can only get to Point Roberts by ferry or by driving through Canada:

Point Roberts, Washington

Estcourt Station, Maine: this tiny town (population: 4) is located directly on the border between Maine and Quebec. Many of the (now abandoned) homes were built in Estcourt Station before the border between the US and Canada was finalized, leading to some interesting situations (your house is in the US; your neighbor across the street lives in Canada). Interestingly, there are no public roads that connect Estcourt Station with the rest of Maine – just privately-owned logging roads. The closest public road is Rue Frontière, a street on the Québec side of the border. Although part of the United States, Estcourt Station uses Quebec’s 418 area code, and relies on Hydro-Québec for electricity and the nearby Canadian town of Pohenegamook for water and other municipal services. Estcourt Station was the site of an “international incident” back in October of 2002: because the area is so sparsely populated, border agents there only work part-time. Michel Jalbert, a Canadian citizen and Pohénégamook resident, was imprisoned for three months in the U.S. after purchasing gas at Estcourt Station’s (now closed) gas station outside of normal operating hours for the U.S. Customs Service. American Border Patrol agents stated that Mr. Jalbert was a convicted felon (he was convicted of minor vandalism at age 19) and in illegal possession of a firearm; he was reportedly preparing for the local deer hunting season and had a rifle in his truck.

Hotel Babylon (Series 3, Episode 8)

Series 3 of Hotel Babylon comes to a close, and I’m torn about the show.

First of all, I found this episode in particular to be almost offensive. There were many references to how “God” is dying out in the UK and how “modern temples” like Hotel Babylon now serve the same purpose that churches used to. While I don’t doubt that is true, the way that Babylon seemed to enjoy wallowing in the decadent delights of the hotel while ridiculing religion just rubbed me the wrong way.

And, of course, I have some issues with the series in general. As I’ve stated many times, the series began as a clever, “behind the scenes” look at the world of luxury hotels. It was based on the book Hotel Babylon, in which a fictional narrator takes us through a fictional day in the life on a London hotel, all the while regaling us with real-life anecdotes from “Anonymous” (the veteran of the hotel industry that author Imogen Edwards-Jones used as a source). In time, the show ran out of anecdotes based on the book, and so it became more of a soap opera based in a hotel. With the departure of Charlie (Max Beesley) and Jackie (Natalie Mendoza), the characters don’t interact with each other anymore (except as people who work together would). Early in the series, for example, Charlie and Jackie were sleeping together, and for a brief time there was a bit of love triangle between Charlie, Jackie, and Anna (Emma Pierson), before Jackie dumped Charlie for good and Charlie and Anna started dating. But now that the Charlie and Jackie have gone, people just act like… well, fellow employees. So there’s not even much of a “soap opera” aspect any more. Which you think would be good, right? But no. Out of anecdotes from the book, and without the more conventional aspects of a soap opera, the writers are veering into “unbelievable” territory. Russian gangsters now invade the hotel, along with faith healers, hostage takers, over the top Hollywood caricatures and “timely” topics. And so the whole thing has just become rather silly.

So why even watch it? Two words: Emma Pierson.

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I don’t know why, but this girl really does it for me. Her accent is a big part of it, of course, and her body’s tighter than a snare drum. Too bad her character will apparently never find happiness:

A faith healer (Jonah Slaughter, played by Nicholas Rowe), shows up at Babylon. He’s quickly becoming famous throughout Britain, you see, and Emily is certain that he’ll be “playing” to huge crowds at arenas throughout London in the very near future… so it only makes sense for Babylon to “get in on the ground floor” with Slaughter, so to speak. However, two “problem clients” seem to be following Slaughter. One, Caroline (Samantha Cheecks) checks herself in and heads straight to the bar. The other, Martin, sweats like a pig and appears nervous as hell as he asks Jack to hold an urn (which contains his son’s ashes) for safekeeping. But the hotel safe is full, and Jack simply can’t bear to keep the urn in his office, so he passes it off to James.

Meanwhile, Anna’s been getting some annoying calls from a guest. He’s called down to the front desk numerous times with bizarrre (and impossible) requests. And he always asks for Anna. After a while, she just can’t take it any more, so he goes upstairs to give him a piece of her mind… only to find her boyfriend, Ned, in the room waiting for her. Ned, it seems, was pulling pranks on her, trying to intice her up to his room… so he could ask her to marry him!

But before she can reply, a shot rings out. Slaughter’s assistant (Nathan, played by Adam Kotz) has brought Caroline up to Slaughter’s room. She initially appears to be quite angry with Slaughter, saying that he took £30,000 from her dying mother (yada, yada, yada – “insert other rants against TV evangelists here”). As the heated discussion continues, there’s a knock at the door… and Martin enters the room… with a gun! Caroline gets confused by Martin’s ranting and then admits that she was an actress hired by Nathan to endear him to Slaughter. She also says that Martin has “gone in and out of character”, “changed his accent several times”, and that she “knows a prop gun when she sees one”. This enrages Martin – who is there because his son died from cancer after he decided to abandon traditional medicine for one of Slaughter’s faith healing sessions. Martin then fires his gun into the ceiling to let everyone know that he means business (this is te shot that Anna heard).

Anna runs from Ned’s room and tries to rally the troops, but Jack doesn’t believe her. Tony does, and he assembles the crew for a “rescue mission”. Jack, unable to find Emily but not believing the sound was a gun, goes to Slaughter’s room… only to be wacked in the head by Martin. This knocks Jack out.

Meanwhile, the gang decides to send Anna up the ductwork to spy on Slaughter’s room, Die Hard-style:

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While crawling through the (mysteriously spotless) ductwork, Anna passes Ned’s room, and overhears him talking to his mother on the phone. He talks about Anna as if she were a piece of meat… or a possible bride in a Jane Austin novel. It breaks Anna heart, but there’s no time for that now. She eventually reaches Slaughter’s room, where she spies Emily and Jack, along with Slaughter, Nathan, Caroline and Martin… and his gun! The crew rush the room – James from the door to the adjacent room and Tony using a housekeeping cart to smash the door in. Martin accidentally fires the gun… and the bullet hits the urn containing his son’s ashes (which is flying through the air because James, for some reason put on the cart). The main storyline then ends with ashes and dust everywhere and Martin crying. Classy. For some reason, no one decides to press any charges against Martin, and the hotel staff clean up the ashes and find a clear plastic container to put them in. At the very end, Tony (Dexter Fletcher) is talking about how the hotel is like family, just as Anna walks in (crying) to what was supposed to be a celebration of her engagement.

One last thing: am I the only one that thinks that the writers have completely forgotten about “customer service”? During the entire series, we’ve heard about how Hotel Babylon is supposed to have “world-class” service, yet this series we’ve seen Babylon staff acts like jerks to guests on a regular basis. I mention this because this episode in particular had some glaring anti-customer service moments. An older gentlemen, for example, has cleared his schedule so thay he could read Catch-22 at the Babylon in peace. He decides to read the book in the bar, only to be kicked out by Gino, who’s angry because the man’s laughter and appearance are scaring away customers. The man then goes up to his room to read, only to have the book ripped by by James when the guest (rightly) complains about the intrusion. This is after an earlier incident, where Jack and James loudly discuss the urn\ashes in front of guests in the restaurant. I mean… come on! Jack is the hotel manager. He’s supposedly worked in 5-star hotels all over the world. We’ve seen him kiss-ass on an unbelievable scale when he really needed to… and now he’s going to argue (loudly) in the restaurant over an urn? HELLO? WRITERS?

The BBC’s website says that the show is coming back in 2009. I dunno if I’ll be there or not. Seriously. But until then, enjoy one last shot of Anna:

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MS Launch: Random Thoughts

I’ve been to lots of Microsoft product launches in my day… and yesterday’s launch of Windows Server 2008 – Visual Studio 2008 – SQL Server 2008 was no exception. Some random thoughts about the event:

The presenter was good. Yesterday’s presenter was young(ish), bald, energetic, slightly goofy, and easy to understand. Which was a huge plus, since Charlotte usually has some English guy that mumbles and stammers (ever seen The Simpsons or Family Guy do an impression of Hugh Grant? He’s just like that.)

The material was pretty good. I don’t know if Microsoft considers Charlotte to be a second- or third-tier market, but most MS events in this area work this way: some guy (and it’s usually a guy) that might (or might not) have good public speaking skills is picked to host an event. He then picks his favorite 800 new features in [product]. He then sets up virtual machine demos for each of those 800 new features. At the presentation, he begins by giving an overview of the new features in [product], then starts the demos. By demo 4, he’s figured out that he can’t possibly do all 796 remaining demos in the time alloted… but instead of choosing his 10 favorite (or the “most important”) features from the remaining demos and carrying them to completion, he’ll try to blast his way through the remaining 796 demos, barely getting 3 steps into some 19 step process. So after demo 4, most of the rest of his demos are like this: “OK, the next cool new feature of Windows Vista is “Previous Versions”… I have a demo here and… OK, here’s what we do… we open a Word document… and delete all the text in it [audience gasps]… we then save the document [audience gasps louder]… OK, so your user has now accidentally overwritten the document, right? Well, we just right-click the document… and click the “Previous Version” tab… and you can see the document’s history… I’m going to pick the version I saved last night… annnnnnddd… annndddd… you’ll have to forgive me, folks, I’ve got 5 virtual machines running on this laptop… Hmmmm.. well, if we had the time, you’d see the same document as before, instantly restored. OK, so on to User Access Control!” It’s annoying – thankfully, yesterday’s event had none of that.

The schwag was… Attendees received copies of Windows Vista Ultimate, Windows Server 2008, Visual Studio 2008, and the CTP of SQL Server 2008 (with the option to get the full version when released). This is nothing to sneeze at, of course… it’s several thousand dollars worth of free software. But there were no t-shirts, no pens, no notepads. Heck, I was even expecting to get a bunch of ads and “special offers” from the “launch partners” in a plastic bag along with the software. But no – all I got was the software, held in place by a rubber band:

MS Schwag

That is exactly what was handed to me. Man, is MS getting cheap or what? They also sprang for “breakfast”, which was a paper bag with a blueberry muffin, orange, apple, granola bar and “fun size” Baby Ruth and Milky Way bars. People in larger cities reported that they got their breakfast in “nifty insulated plastic lunch bags” (like this). I just got a damn paper bag!

The Server 2008 license is interesting. The Windows Server 2008 license is technically valid for only 1 year. It is not timebombed in any way, and our presenter said that Microsoft has no problem with anyone using this software for as long as they want, provided that they don’t use it on a production machine. So why the “1 year EULA limit”? It’s apparently because if they gave away shrink-wrapped copies, they’d have to have everyone fill out a 1099 form and pay tax on it. This way, MS can claim that it’s a “demo version” and the value is therefore zero. What’s surprising is that our presenter told us all this straight-up. MS is basically thumbing their noses at the Treasury Department, and is plainly, out in the open, telling everyone that this is a tax dodge!

The Charlotte Convention Center is weird. Charlotte’s new light rail system has a line running directly through the Convention Center. The smoking decks are right next to the rail lines… as in, I could have spit on a passing train if I wanted to. The trains run on electricity, and there are some high-voltage tracks out there… so there are signs out in the smoking areas warning people to NOT jump the rail in case of fire, but instead of go back inside the building and exit on 2nd Street. I know this sounds snarky, but I’ve always heard that the last thing you want to do in case of fire is go back inside a burning building. Hmmmm.

The Westin is funny! When you take the College Street exit from I-277, you’re dumped onto College, which is a one-way street. I normally pass the Westin Hotel’s parking deck to park at a lot directly across from the Convention Center. This time, I opted to park at the Westin (which turned out to be a good move, as the lot I would have parked in was full, and it’s giant pain in the ass to get back to the Westin deck). Anyway, as I stood waiting for the elevator in the Westin parking deck, I noticed some business cards in a holder mounted just above the call button. The cards said “You are parked on level…”. Westin has cards with the parking level printed on them, so you can remember where you parked when it’s time to leave. It’s a nice touch… only the name of my parking level was…

Westin Parking

Sweet! Westin named their parking deck after a bowel movement!

Quote of the Day: Bourdain

“Vegetarians, and their Hezbollah-like splinter faction, the vegans, are a persistent irritant to any chef worth a damn. To me, life without veal stock, pork fat, sausage, organ meat, demi-glace, or even stinky cheese is a life not worth living. Vegetarians are the enemy of everything good and decent in the human spirit, and an affront to all I stand for, the pure enjoyment of food.”