Factory Records was an influential British record label based out of Manchester. Founded by TV host Tony Wilson and band manager Alan Erasmus in 1978, the label was home to giants like Joy Division, New Order, The Durutti Column, A Certain Ratio and Happy Mondays, and was the “starter label” for bands like Orchestral Manoeuvres in the Dark and James. Like competing label 4AD, Factory relied on a producer (in this case, Martin Mannett) and a graphic designer (Peter Saville) to give the label’s releases a unique and consistent look and sound.

As anyone who has seen the film 24 Hour Party People will tell you, there were a lot of drugs being used by practically everyone at the label. In fact, one need only to look at the label’s catalog system to see that.
Almost every Factory release begins with the prefix “FAC”, except albums, which have the prefix “FACT”. “Special” numbers were reserved for big, important releases, so Joy Division’s Closer album is FACT 25, New Order’s Movement is FACT 50, New Order’s Power Corruption and Lies is FACT 75 and New Order’s Low Life is FACT 100. Because these “special” numbers were used, sometimes the catalog numbers seem out of order: New Order’s greatest hits album Substance is FACT 200, while Joy Division’s greatest hits album, also called Substance, is FACT 250, even though Joy Division preceded New Order.
The last digit of a catalog number was often reserved for certain bands, although there are many inconsistencies in its implementation. However, the last digit being 1 usually signified a release by Factory Corporate, 2 was used for Happy Mondays singles, 3 for Joy Division and New Order singles, 4 was used for Durutti Column singles, and 6 was reserved for short-lived “Factory Classical” releases.
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